A Quote by Josie Loren

I was a musical theatre kid, which meant you could always find me singing or dancing in the halls with at least four other people. — © Josie Loren
I was a musical theatre kid, which meant you could always find me singing or dancing in the halls with at least four other people.
It seems like pop singing has sort of influenced musical theatre in so many ways - you could argue good or bad, really - and musical theatre is written for that style so often, which is a completely different style.
When I look back at what musical theatre music and show music meant to me, first of all - more than anything - what it meant to me was work. As I was growing up, I realized that singing and performing was my strong suit.
I've always loved musical theatre. I've always been a big kind of closeted musical theatre nerd. I really have always dreamed about being able to do musical theatre.
Roger Bacon, a disciple of the Arabs, also insisted on the primary necessity of Mathematics, without which no other science can be known; yet by Mathematics it is clear that he meant something very different from what we mean, including under that head even dancing, singing, gesticulation, and performance on musical instruments.
I've always been singing. Since day one. I started doing musical theater and you have to sing in musical theater and so that's where I got most of my training. So singing on stage, you just inevitably, when you're around other vocal artists, you get better at singing.
I wanted to perform and entertain people. Whether it was theatre in school and college, or just dancing on the table in front of my entire family as a kid, it was always about entertaining people.
Shakespeare is rhythmic; he is musical in the sense that he likes poetry, and he's musical because he constantly refers to settings where there's singing and dancing.
Jamaica is so musical, diverse and so extreme, from people singing in the streets to dancing.
I went into musical theatre, which I'm not really cut out for - I'm not as skilled at it as other people.
I started - well, in England it works a little bit differently. You have to do Fringe theatre, which is basically free theatre. You do it in pubs and small theaters and village halls across the country, and you work for a theatre company. You're part of a troupe.
I was really, really, really enthusiastic as a kid. I was up for anything. I was hugely into music and theatre. I was a big musical theatre kid; I loved reading.
In musical theatre you're also supposed to be able to dance and everything, so I've always tried to take dance lessons, but I've realized that martial arts comes to me so much more easily than dancing ever has.
To be a white kid into hip-hop meant you'd sought it out and you practiced the art. Which meant dedication and diligence, as well as removing yourself at least occasionally from your own comfort zone and circumstances, and from people who looked like you.
At school, I'd be the dude singing to the girls, always up in the auditorium, in the lunch room singing Christmas carols, in the halls between class. I was always singing, and same thing with my grandfather. The apple doesn't fall too far from the tree; you know how that goes.
I love singing! I was a musical theater girl in high school. We were always singing and dancing around, and just doing little community theaters and high school musicals. Then, when I got to NYU, I focused more on drama.
It's been in my musical DNA since I was a little kid. I think musical theatre has really influenced everything I've done.
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