A Quote by Joss Stone
When you get your first record deal, you will do anything, because you just want to sing.
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When I first got my record deal, I was like, 'I just want to sing,' and I never put much thought into what really goes into a record. But as I got older, I developed a passion for writing.
I was too shy, I think, to sing publicly. It takes a particular kind of person. And when I was young, I was not that person. In the first instance, when a record company said to me, do you want to try and make your record, my first reaction was, no, I'm not worthy - I couldn't possibly, and so on and so forth.
I was an artist, I was executive producer on my first album, so I've always had to manage both. I couldn't get a record deal. It wasn't by choice - I couldn't get a record deal, so I had to figure it out.
It's very difficult to juggle two careers, unless you're going to have someone put it all together for you. Because you're on TV, somebody just gives you a record deal - that's not how I'd want to get it, because it's just not real.
If you're an artist trying to put out your own record on your own label, it's hard to get a distribution deal because no one wants to sign a deal with one entity. They want to sign distribution deals with labels, who have lots of product, lots of artists.
I will sing whatever I'm given to sing. Growing up, I would sing anything that I was given. If the choir needed a first tenor, I would sing first tenor. If they needed a bass, I would sing bass. Throughout my life, I just figured out ways to hit notes I needed to hit.
I like to sing and it's just really fun to sing, and I don't get too much. And at my house I'm not allowed to because, you know, your children can't stand it when you sing at home.
I was forced to be an artist and a CEO from the beginning, so I was forced to be like a businessman because when I was trying to get a record deal, it was so hard to get a record deal on my own that it was either give up or create my own company.
People want to be the first with the record, they want to be the first to know which songs are on the record, all that kind of stuff. So I like to just stall them a bit. Personally, I love the idea of an album that's completely new, that no one's heard any free downloads, any pre-record releases, all that kind of stuff, and nothing's been played on the radio. Totally virgin, you know, a sealed record. That's my ideal, but it's very hard to get anybody else to agree to do that.
If I want to do an orchestral record, if I want to do an acoustic record, if I want to do a death-metal record, if I want to do a jazz record - I can move in whichever direction I want, and no one is going to get upset about that. Except maybe my manager and my record company.
A development deal is an in-between record deal. It's like, a guy saying that he wants to date you but not be your boyfriend. You know, they don't wanna sign you to an actual record deal or put an album out on you. They wanna watch your progress for a year.
I don't sing professionally; I sing because people who make my films want me to sing. So, as long as they want me to croon in the film, I will sing.
So you have to just be really careful and make sure that when a deal comes along, that it's like the right deal for you... not necessarily the most money, because you have to pay the record label that back in like record sales and stuff.
I had to get out of my record deal that I signed with my previous band and get a full solo record deal going so, with all of the paperwork that, that entails it did take a while.
At first, when we got engaged, I asked him if we could just go to Vegas and get married by Elvis, just because I didn't want to deal with planning a wedding.
If you want something badly enough, make an attempt. If you want to paint, get a brush and do it. If you want to sing, sing. A lot of people get scared. They're afraid to fail. Take that word out of your vocabulary. You don't "fail." You've "tried your best."
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