A Quote by Joss Whedon

You take people, you put them on a journey, you give them peril, you find out who they really are. — © Joss Whedon
You take people, you put them on a journey, you give them peril, you find out who they really are.
Photos always seem to exist as sort of stuffy, unnecessary antiques that we put in a drawer — unless we take them out, put them in current dialogue, and give them relevance.
We've gotten involved in cat rescue we take them in and find homes for them. I've always loved cats. I saw how homeless cats were living out there. We take them in, put out flyers.
We've gotten involved in cat rescue - we take them in and find homes for them. I've always loved cats. I saw how homeless cats were living out there. We take them in, put out flyers.
Barrels are very difficult to find. But when you have them, give them lots of equity. Promote them, take them to dinner every week, because they are virtually irreplaceable because they are also very culturally specific. So a barrel at one company may not be a barrel at another company. One of the ways, the definition of a barrel is, they can take an idea from conception and take it all the way to shipping and bring people with them.
I have a handful of tattoos that I really want to put on people that I can't find anyone to let me give them to.
...Bin Laden's quotes from the Quaran resonated in my brain: "When you meet the unbelievers, strike them in the neck." "If you do not go out and fight, God will punish you severely and put others in your place." "Wherever you find the polytheists, kill them, seize them, besiege them, ambush them." "You who believe, do not take the Jews and Christians as friends; they are allies only to each other. Anyone who takes them as an ally becomes one of them.
We like to put people on a pedestal, give them one character trait, and if they step outside of that shrinelike area that we blocked out for them, then we will punish them.
He tried to fool the United Nations, and did for 12 years, by hiding these weapons. And so, it's going to take time to find them. But we know he had them. And whether he destroyed them, moved them, or hid them, we're going to find out the truth.
I like any story that starts one place and really takes a huge journey to a whole new place; that people in their life want to take that journey. They want to be able to find things in their life that aren't working and work through them to a new place of change.
I want women to see, especially us big women, that you don't have to let them cut you and suck it out. You don't have to let them staple you up. You don't have to let them give you a pill. You don't have to let them put a band around your organs. If you just put the work in, baby, I promise you, it comes off.
I don't really think much of any songs I put out like I know... I think they're good, that's why I'm putting them out. But like I don't ever try to expect anything, so even with 'Caroline' or 'Red Mercedes,' I just put them out and hope for the best and people kind of gravitate towards them and I guess that's pretty cool and that's a blessing.
For there is a growing apprehension that existence is a rat-race in a trap: living organisms, including people, are merely tubes which put things in at one end and let them out at the other, which which both keeps them doing it and in the long run wears them out. So to keep the farce going, the tubes find ways of making new tubes, which also put things in at one end and let them out at the other.
Bipolar disorder is so swept under the rug as a nation and, I think especially, by black people. It's not our culture to go get therapy. 'Give them medicine for what?' We put people in court, put them in court again, versus really paying attention to what it is they are going through.
I never like photos of myself in the beginning. I live with them for three months, put them in a drawer, take them out and look again. I hate the way I look, but of course it's really not that bad.
I'm not better when I force shots. I'm going to take them as they come. They are really sagging in there, trying to take me out of the game. It's my job to find guys. I want to be aggressive and take my shots, but I can't force them.
Sometime I'm going to do an essay called 'The Virtues of Amateurism' for all of those people who wish they earned their living in the arts. The market kills more artistic people than anything else. It's a world of safety out there, for most people. They want safety, the magazines and manufacturers give them safety, give them homogeneity, give them the familiar and comfortable, don't challenge them.
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