A Quote by Joss Whedon

The fact of the matter is fame predates even the age of cinema. There's always been fame, there's always been the caveman who's prettier or killed a bigger lion, or somebody started a story about a guy.
The fact of the matter is fame predates even the age of cinema.
I've always warned my clients about fame being very dangerous, and unfortunately, they need to be famous to make a living, but not to be flippant with it, that it could kill them, and to always keep their eye on it. There was no reason for me to do it. I don't make my money off fame, not my fame.
I have never reached certain levels of fame, like Lindsay Lohan did, or even Brittany Murphy. My career has always been this sort of even-keeled, steady existence. I was also raised by poets, and I've been doing poetry as long as I've been acting.
WWE asked me to be in the Hall of Fame, and I turned it down. You know why? They put Pete Rose in the wrestling Hall of Fame. This guy can't even get into his own Hall of Fame.
I've been in the public eye now for about 15 or 16 years, and I'm very aware that fame is not a given. I have to maintain it. It's not just something that will always be there. But I've always been a worker. I've never expected be given anything.
I have been in love with my wife since I was 17. She has always been my strongest support. Even when I didn't have this fame, she was there.
[Tim White] always spoke about his work in terms of forensics, as if he was investigating a crime scene. While we were there, they found the fossilized excrement of a lion that had turned into stone, and we would immediately start to concoct stories. Was it a lion that killed the early human? Of course, the lion could've been there three weeks later, or maybe 20,000 years earlier.
So in that way, fame has become a weirder thing to go after, but the thing about me is I've never been after fame. That sounds cliché, but it's true. I think fame sounds uncomfortable to me, but being able to like write this book and make my living doing very exciting, creative stuff sounds really amazing. It has been really amazing.
The goals we pursue are always veiled. A girl who longs for marriage longs for something she knows nothing about. The boy who hankers after fame has no idea what fame is. The thing that gives our every move its meaning is always totally unknown to us.
We were always authentic when it came to our style. From when we started to the height of our fame, we've always been consistent in our look because how we dressed was a result of how we felt. We weren't playing dress-up.
The thing about fame is, you want it your whole life, but no matter how bright you are, no one ever asks themselves why they want fame. You never really know what it is until you have it. You can never tangibly feel your own fame.
No matter how many times I was tempted with fame and vanity I always go back to Valley Stream, which was always about community and family.
Before, it had been fame, and then super-fame came. And then it became super-super-fame. One loses one's personal life, really; you're recognized everywhere. But I embraced that.
I always felt that I was one of the women who helped lay the foundation for rock and roll. But I'd always been overlooked by the Hall of Fame.
Fame has killed more very talented guys than drugs. Jimi Hendrix didn't die of an overdose, he died of fame.
My show 'Fame: Not the Musical' is about the fact that fame is seen in two ways in our culture: either as a glittering bauble we desperately covet, or as a narrative of tragedy and despair. My own experience of fame is a third, mundane way, which often involves being mistaken for someone else - Ian Broudie from the Lightning Seeds, or Steve Wright.
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