A Quote by Joss Whedon

Let's put it this way: If a raccoon can carry a movie, then they believe maybe even a woman can. — © Joss Whedon
Let's put it this way: If a raccoon can carry a movie, then they believe maybe even a woman can.
Tracked a raccoon one time in the snow. I was in the neighborhood and I was just curious where this raccoon lived. There's some fresh raccoon tracks. He'd been digging at somebody's garbage.
Because you think an explosion has taken place and you're looking at the shards and you say, 'Well, can we put this back together?' And by God, maybe you can put it back together. And maybe it won't be the same, but maybe it will be different, and maybe it can even be better in a different way.
Sometimes I feel like every movie I make could be the last. I know that's not really the case, but if I think about it that way and I'm very careful, then maybe I can build a career, movie by movie, that I'm happy with.
We remember nothing. Maybe for a year or two. Maybe most of a life, if we live. Maybe. But then we will die, and who will ever understand any of this? And maybe we remember nothing most of all when we put our hands on our hearts and carry on about not forgetting.
What I wanted to do was put a woman of color, front and center, in my movie combining a lot of themes that were relevant to both men and women. I actively wanted her to carry the weight of this movie because I'm a woman. And I actively wanted to explore many of the issues that affected her as a woman of color. That was very important to me. And although these issues affect some women of color, I don't think they're only of interest to women of color. They're of universal interest.
To be a movie star, you have to carry a movie. And to carry a movie where you play the title role is the supreme example.
Sometimes you think, "Oh man, this is going to be a fantastic movie," and then when you see it put together, you're like, "Oh, huh. Well, that didn't turn out quite the way I thought." Sometimes you think you're part of a project and it isn't that great, and then it sort of becomes a pleasant surprise. But I think there's just too many elements that affect the tone of a movie, so I think even for a director, it may be hard to gauge that.
My sisters and my mum taught me how to be a woman: the way they carry themselves, the way they talk to people, the way they know how to put their foot down. They're not having any nonsense from no one. I can see traces of that in me.
I always wanted to write a raccoon story. I don't know why. It's not like I want to own a raccoon or anything like that. I'm just fascinated by them.
Even if you meet the perfect person, it ain’t gonna be at the perfect time. You’re married, they’re single. That’s right. You’re Jewish, they’re Palestinian. You’re a Mexican, they’re a raccoon. You’re a black woman, he’s a black man.
If you believe that you can't do something, then you're not going to do it. If you believe you can, and you're willing to put in the effort and figure out a way to do it, then the majority of the time, you can.
I learned how to change a cloth diaper on a raccoon, i was maybe 8 or 9.
I learned how to change a cloth diaper on a raccoon. I was maybe 8 or 9.
I reluctantly soldiered on to the raccoon. It actually would have tasted quite good had I not had the image of a raccoon rummaging through the garbage stuck in my head.
Or maybe we'll make a home somewhere inside ourselves, to carry with us wherever we go- which is the way I carry my mother now.
Thank you for liking Sin City. I can completely understand if you watch that movie and then I talk about single-use plastic bags and you're a little confused, maybe put off: "You should be talking about machine guns! In a sexy way!" I'm sorry, that's not me.
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