A Quote by Joss Whedon
When it comes to the iconic moments, you sort of have to take all of those things and distill them the same way the costumers do and everybod Distill them and then find your own. The most iconic moment in the movie is, assuming they do, when they assemble.
Related Quotes
Look at some of the most iconic pieces from Prada and Marni. Every time you pull them out, even if it's five years later, they're still iconic! And then your kids can wear them, and probably style them in a different way. Well-made prints age very well.
Making movies is all about compromise, negotiation, and sacrifice, but the process helps you distill what's really important to you, and once you have identified what those these things are for any particular sequence, you hold onto them and don't let them go.
Quickness and momentum. You take the whole last generation of sports, listening to them, even reading about them, watching the games, analyzing them, arguing about them, instant-replaying them, second-guessing them, and all you'll distill from them is quickness and momentum.
And Duke Nukem, I think he is the most iconic videogame character in the industry. I think Lara Croft is the female and Duke Nukem is the male. Between them, they're the most iconic figures in videogames.
Sometimes things in life take a few years to digest, and they find their way into the work later on. Sometimes I'm writing about things from eight years ago-they just took a long time to distill and come out in the appropriate way.
My first jobs were at Pixar and John Lasseter just doing animation would always allow actors to do that, and then animate to that. It was an early lesson for me that, if you're lucky enough, as I've been in my career thus far, to get really incredible iconic people to do your stuff, you want them to tell your story and you want them to be on page in the important moments, and they usually are.
Sometimes people get fairly obscure just for the creative license of it, and that can backfire. Iconic stories are iconic for a reason, and there are so many incredible, iconic history stories that have not been told that we don't need to go too deep in the well yet.
One trap you can fall into when playing someone iconic is to end up doing everything in an iconic way, no matter how pedestrian or mundane that thing is.
I would love to do something with many artists, you know: Fantasia, Cardi B, Lil Wayne, J.Lo, Alicia Keys, Jennifer Hudson. There's so many of them! All of them are iconic in their own way and to collaborate with any of those artists of that magnitude would be such an honor for me because I grew up listening to them and I love their music.
I'm sad, upset, and disheartened with the trolling that happens on social media... At the end of the day, this whole homophobia is so disheartening and upsetting. And then they say, 'Why don't you speak about your sexuality? You could be iconic in this country.' But I don't want to be iconic anywhere. I want to live my life.
Some of the things I love the most are when a writer or a visionary takes on sort of an iconic character and then spins it. Like with Frank Miller, Batman was this one thing for basically forty years, and then Frank Miller came along and said he can also be this other thing. And Christopher Nolan came along and said he can also be this other thing. The idea of taking iconic comic book characters or superhero characters or mythic characters and subverting the genre or coming up with a new idea is something that's really interesting to me.
If you take all the marketing books in the world and distill them, the key to marketing is hope. People buy hope, the hope that you will help them solve a problem or achieve a goal.
I just love when a movie takes a break and gives you a poetic moment, but sometimes it's good when they just happen randomly. If your actors are really comfortable and you let the camera roll, sometimes things happen and you just see something that's visually iconic, or emotionally that way.
Rebellion, just to be clear, can mean holding onto some of your own integrity, of not playing into the idea of sensationalism. We all have our moments, and that's your guys' job - to take those moments and make them turgid, gaseous, make them big, and it's bigger than the person is. When you start believing your own press, that's when it gets really sad.
It's the way I make music, I will take two ideas and smash them together and if they sit well together for me then that's fine, and it's the same with the lyrics - if I see a couple of lines and I like the way they look on the page then I'll use them. I find they take on a meaning of their own, it's very difficult to explain how I actually go about all that.
If you distill the essence of everything, what life is about, every single one of us is given a short moment in time on this planet, and we all have one universal need and desire, and that is to be loved and to love. And to deny that for your own political expediency, I don't want to live in that column. It ain't worth it.
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