A Quote by Joss Whedon
If somebody comes up to me, it's because they're moved by something I'm moved by. I've never taken a job I didn't love... So when somebody's coming up to me, or they're writing, they're in the same space I am in.
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I don't write songs that don't affect me on some level, because I figure if I am not moved by it, if its not something that I have a longing to celebrate or to be reminded of, if it doesn't affect me, then how can I possibly think it is going to affect somebody else. My touchstone is write something that matters.
I will never forget that the only reason I'm standing here today is because somebody, somewhere stood up for me when it was risky. Stood up when it was hard. Stood up when it wasn't popular. And because that somebody stood up, a few more stood up. And then a few thousand stood up. And then a few million stood up. And standing up, with courage and clear purpose, they somehow managed to change the world.
I am not trying to change the world. I am just offering my gift that God gave me, and if somebody is moved by it, that's beautiful.
There is something magical about being able to feel somebody. And that is something that has always moved me with music.
I don't want somebody sucking up to me because they think I am going to help their career. I want them sucking up to me because they genuinely love me.
I started doing drag in Seattle because I started doing my column before I moved here, and then moved here and wanted to be able to go out and do things as Dan Savage without being recognized the next day, because the column was just in Seattle and it was kind of a sensation and I was beating people up. I was really worried and I didn't want to beat somebody up in a column and have that person know what I look like when I didn't know what they looked like.
The thing is, I moved tons. I was in like nine schools by ninth grade, so I moved a ton of times when I was younger. As hard as that was growing up, it helped me in so many ways being an actress, because every year I was constantly changing who I was. I could be someone new. I wouldn't care if people judged me or didn't like me because, in the end, I knew I was probably going to move in a few months anyway.
When I first moved up to San Francisco to write Where The Wild Things Are, I had a couple moments where I talked to somebody, and they're like, "Oh, I love that book. I love this part of it," or, "This is what it means to me." And it's like, "Well, I don't know. I guess that's not what I'm making the movie about." But very early on, I don't know, we sort of let go of that fear.
I am called to love my neighbor, which I do. I can disagree with my neighbor about several things, but I'm not going to hate my neighbor. It's not up to me to hate anybody. It's not up to me to judge anyone. It's up to me to be nice, to be kind and to do everything I can to help somebody.
Monk was a gentle person, gentle and beautiful, but he was strong as an ox. And if I had ever said something about punching Monk out in front of his face - and I never did - then somebody should have just come and got me and taken me to the madhouse, because Monk could have just picked my little ass up and thrown me through a wall.
The system in which I came up in was that every territory had to have a black, a white... if you went to Texas you had to have somebody that was a cowboy or one that was from Mexico. There wasn't that many Afro Americans in the business at the time so I moved around a lot. But every time I moved around, I made money.
I like to be moved around a lot because the defense can never know or expect me to be in just one place. They can't really key on me. I can be freed up.
My mom didn't let me play video games growing up, so now I do. Gaming gives me a chance to just let go, blow somebody up and fight somebody from another dimension. It's all escapism.
Everybody wants to feel that you're writing to a certain demographic because that's good business, but I've never done that ... I tried to write stories that would interest me. I'd say, what would I like to read?... I don't think you can do your best work if you're writing for somebody else, because you never know what that somebody else really thinks or wants.
I'm not saying that they were Einsteins; they were marginal students. But every ballplayer whoever touched me has moved up his station in life. And the players moved up my station.
I really want it to have an impact on the world. I want to be in a town on the other side of the world, and somebody walks up and says, 'That music you made in Glasgow, I listened to it every day, and it moved me.'
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