A Quote by Joss Whedon

The thing with the comics is that you have license to go down every alley your brain can think of. — © Joss Whedon
The thing with the comics is that you have license to go down every alley your brain can think of.
When you go down a dark alley and you feel that tingling across the back of your neck, that's not just a bad feeling, that's a biological gift from God - the Gift of Fear...when you ignore that gift - when you go down the dark alley and say, Y'know, I'm sure it'll be okay - that's when you find real pain.
I had thought comics could only be one thing, and that was what mainstream comics were selling us. And the undergrounders proved anything you had in your head, as long as you had the skill to put it down on paper, was fair game. And I started filling sketchbooks with my own comics.
The whole thing about comics is the reason I think you shoot to be a comics author is because it's a very solitary activity and that you sit down and you're arguing with yourself that's kinda the plan.
There are a lot of good comics, no doubt, but as far as the quality of the comics goes, I think what you have is a bunch of situational comics - there are black comics that work only black crowds, gay comics that do only gay crowds, and southern comics that only work down South, and so on with Asian, Latino, Indian, midgets, etc. The previous generation's comics were better because they had to make everybody laugh.
You cannot drive the car if you do not have a driver's license. You cannot do brain surgery if you are not a brain surgeon. You cannot even do a massage if you don't have a license.
Every now and then you think about your life, what you would like to be, you start at Number 1 and you go down to 100. And down at the bottom, 100, was - Stage. Go figure. That would be the last thing. It terrified me, man. But I had to do it.
Think about the way you go surfing on the Internet - you go from one thing to another. You can't really concentrate. I can't sit and read 10 pages on my computer. You'll read and then all of a sudden part of your brain is like, "What about that? ...You're not reading the whole book. You're reading fragments. Even though I think it's bad, I think it's interesting too, because that's the way my brain works.
Comics have the page as their real estate so you've only got that space to tell the story on. But the other thing only comics do is to have the words and pictures being simultaneous. Your brain is flicking between them and you can put in some excellent narrative devices; you can off-set things and juxtapose things between word and image.
The thing you don't realise is that every time you head the ball, your brain shakes. Every single time. Have you ever headed a ball badly and seen stars for a couple of seconds? That's your brain shaking. Let's be honest: that can't be healthy, can it?
I don't think comics necessarily think in literary terms. There is an element of developing your stage persona and your comedic voice, but I don't think comics see it like a character in a novel.
You ought to try surviving one of my family reunions. It's like having a bowling alley in your brain.
We should be licensing everybody with a gun. I have to have a license for my dog. I have to have a license for my car. If you're going to do my hair later you have to have a license... We don't require a license to own a firearm?
We should be licensing everybody with a gun. I have to have a license for my dog. I have to have a license for my car. If you’re going to do my hair later you have to have a license ... We don’t require a license to own a firearm?
I started skating when I was about 10 years old. It was in an alleyway. I picked up my brother's skateboard and stood on it. I started to roll down the alley, and I yelled at my brother asking him how I turn the thing. At the end of the alley, I just jumped off, picked up the board and physically turned it around.
In Marvel Comics, the worst thing was always that your loved ones could be attacked, or you could be horribly beaten in a knock-down, drag-out fight, but in the Superman comics, you would be run out of town with people throwing rotten vegetables at you and waving a sign that said, 'Superman, Who Needs You?'
That was the appealing thing about comics: There literally is no budget in comics. You're only limited by your imagination.
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