A Quote by Joss Whedon

When you're making a film, you have an obligation to fill the frame with life. — © Joss Whedon
When you're making a film, you have an obligation to fill the frame with life.
I think about photographs as being full, or empty. You picture something in a frame and it's got lots of accounting going on in it-stones and buildings and trees and air - but that's not what fills up a frame. You fill up the frame with feelings, energy, discovery, and risk, and leave room enough for someone else to get in there.
Things take time my friends - they take a lot of time to create and 'GoT' is the last place you're going to find half baked work so it's all about making sure they fill the frame with as much capacity as possible and making it as real and right as possible. Small price to pay for the amazing quality that comes out of that show.
Well, as far as film, either you're making a film or you're making videos. Digital capture is always trying to emulate the range and look of film. I believe personally that film has more.
I think I have an obligation, to the people who have consented to be in the film, to make a film that is fair to their experience. The editing of my films is a long and selective process. I do feel that when I cut a sequence, I have an obligation to the people who are in it, to cut it so that it fairly represents what I felt was going on at the time, in the original event. I don't try and cut it to meet the standards of a producer or a network or a television show.
I never want to make a film. I don't wake up in the morning going, 'Ooh, I'd really love to be on set making a film today'. I'm aware that other contemporary film directors perceive film-making as what they do, as what they have to do. But I would hope that I am more catholic in my tastes.
A family portrait is only complete with love to fill it's frame.
My position was that the film begins with the first frame and that the film should be doing a job at that point.
If life is envisioned as a continuously running motion picture, the keeping of a notebook stops the action and allows a meaningful scene to be explored frame by frame.
The truth is, no matter how modest Steven [Sebring] is, he was obsessed with the outcome of the film [Dream of Life]. Every single frame was important to him.
If you don't like a film or do a film out of obligation in a comfortable zone, it would be very painful, but when you do something with passion, interest, and belief in it, it excites you.
The key to happiness is not to get more, but to enjoy what we have and to fill the empty frame of our lives instead of enlarging it.
There have been innumerable films about film-making, but Otto e Mezzo was a film about the processes of thinking about making a film -- certainly the most enjoyable part of any cinema creation.
The next film I'm making is a horror film, and I'm making it with A24. It's a dark break-up movie that becomes a horror film, set in Sweden. That's all I can really say now. It's called 'Midsommar.' Everybody's been spelling it wrong. It's 'midsummer' in Swedish.
You fill up the frame with feelings, energy, discovery, and risk, and leave room enough for someone else to get in there.
I was returned to the Senate by the people of Alaska, and I have an obligation to all of them - it's not an obligation to my party; it's an obligation to Alaskans.
The shelf life of a specific film has decreased while the number of films required to fill multiplex cinemas has increased.
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