A Quote by Joss Whedon

Ultimately what I end up writing about is helplessness and the flipside of that, empowerment. — © Joss Whedon
Ultimately what I end up writing about is helplessness and the flipside of that, empowerment.
Ultimately, so much Dr. Seuss is about empowerment. He invites us to disappear into our imagination and then blows the doors off what that can mean.
Writing books isn't a drastic departure from writing for the stage. I've always written in the long format, five, eight, 10-minute pieces rather than one-liners, so since writing books, the process hasn't changed much. A piece in my live routine can end up as part of one of my HBO specials, and it can also end up in one of the books.
In the case of 'Ocean at the End of the Lane,' it's a book about helplessness. It's a book about family, it's a book about being 7 in a world of people who are bigger than you, and more dangerous, and stepping into territory that you don't entirely understand.
Ultimately, it's about the quality of the writing whatever style you are writing.
I find that I end up liking songs if I really have an idea of something I wat to write about-some problem in my life or something I want to work through; if I don't have something like that at the root of the song, then I think I end up not caring about it as much. I gravitate towards some kind of concept or idea or situation that I want to write about. Very often I have to write, rewrite and come at it from an opposite angle...and I end up writing the opposite song that I thought I was going to write.
When I think about the cause I'm most passionate about, it's all in my music all the time, because I'm always singing about the empowerment of women. Always, even when it's a little love song - it's still about the empowerment of women and this high spiritual nature of love. It's the biggest healer ever.
I started writing sketches with Dennis Kelly, who I ended up writing 'Pulling' with. We entered a BBC competition and did quite well, then started writing bits for other people's shows. You wheedle your way in, write pilots and eventually you end up writing a sitcom.
People ultimately get what they deserve on TV. What people end up watching is what the advertising end up glomming onto and promoting.
Sadly, whites are rarely open to what black and brown folks have to say regarding their ongoing experiences with racist mistreatment. And we are especially reluctant to discuss what that mistreatment means for us as whites: namely that we end up with more and better opportunities as the flipside of discrimination.
We don't know, ultimately, if we'll end up in San Francisco, but we're talking about keeping the house. It would be nice to always have a place here.
I don't want to write poems that are just really clear about how I'm aware of all the traps involved in writing poetry; I don't want to write fiction that's about the irresponsibility of writing fiction and I've thrown out a lot of writing that I think was ultimately tainted by that kind of self-awareness.
My helpless friend, your helplessness is the most powerful plea which rises up to the tender father-heart of God. You think that everything is closed to you because you cannot pray. My friend, your helplessness is the very essence of prayer.
When people start writing songs for award shows, there's a very limited palette you can use. You end up not sounding like you. You end up sounding like somebody else. You end up getting what the record company thinks they can market.
As an artist, you don't think about the parabola or the arc you're describing or where you're going to ultimately end up, you're just kind of crawling around, seeing what's out there.
Most of the time you're writing for radio, you're writing for a label, you're writing to stick a hit, and you end up coming out with something that isn't necessarily genuine.
Most of the time, you're writing for radio, you're writing for a label, you're writing to stick a hit, and you end up coming out with something that isn't necessarily genuine.
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