A Quote by Joss Whedon
I've seen plenty of films where the projector broke. The problems that we have in the digital age are exactly the same as we had. Instead of, 'There's a hair in the gate,' it's, 'The computer ate the footage.' There will always be things like that going on. Nothing is perfect.
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When I was in high school, I was always really envious of those girls who seemed to have everything: the perfect hair, perfect clothes, perfect boyfriend, perfect life. It wasn't until I was older that I realized that nobody's life is perfect, and that those girls probably had a lot of the same problems I did.
The digital age is for me in many ways about temporal wounding. It's really messed up our ontological clocks. In the digital economy, everything is archived, catalogued, readily available, and yet nothing really endures. The links are digital encryptions that can and won't be located. That will have to be reassembled over time. It won't be exactly what it was. There will be some slightly altered version. So the book is both an immaterial and material artifact.
Nothing is going to stay the same; nothing's gonna sound like in 1952. There's some stuff that has some elements of back in the day, like back in the 90's, back in the 80's or whatever. Some elements, but it's not going to be the same, exactly, sounding. And I love it, I've seen the music change. I've seen the flow and the energy go from turned up to turned down to back to turned up. I like to try different stuff. I don't like to do the same old thing over and over again. I don't like to be repetitive, that gets on my nerves.
With digital, you do have the advantage of having an absolutely rock steady image because there's no projector gate, no perforations, no film weaving through a machine. And there's no dust and no scratching.
To the engineer, all matter in the universe can be placed into one of two categories: (1) things that need to be fixed, and (2) things that will need to be fixed after you've had a few minutes to play with them. If there are no problems handily available, they will create their own problems. Normal people don't understand this concept; they believe that if it ain't broke, don't fix it. Engineers believe that if it ain't broke, it doesn't have enough features yet.
Everywhere we walked we got plenty of attention due to the camera and sound men. The locals love to get on camera. [...] I'd seen footage of Gandhi surrounded like this and always thought it was because he was very popular, but now I wonder if it was just because he had a camera crew with him.
Grunge was, to me, the last big movement. It had such an impact on pop culture. We haven't really seen anything like that since, and we may never again. Things have changed; the digital age has changed things.
I've been recognized every now and then. It's always in computer stores. It's something like brain associations, because I'll be in the grocery store and nobody will recognize me. Even in my glasses, looking exactly like my picture, nobody will recognize me. But I could be totally clean-shaven, hat on, looking nothing like myself in a computer store, and they're like, "Snowden?!"
I’ve never seen an exploding helicopter. I’ve never seen anybody go and blow somebody’s head off. So why should I make films about them? But I have seen people destroy themselves in the smallest way, I’ve seen people withdraw, I’ve seen people hide behind political ideas, behind dope, behind the sexual revolution, behind fascism, behind hypocrisy, and I’ve myself done all these things. So I can understand them. What we are saying is so gentle. It’s gentleness. We have problems, terrible problems, but our problems are human problems.
For years, I ate the same foods every day, in exactly the same manner, at exactly the same times.
A girl my age had been murdered in these woods and I'd seen her last terrified moments, watched her bleed to death in this forest. A life like mine had ended here, and it didn't matter how many times I'd seen deaths in movies, it wasn't the same, and I wasn't ever going to forget it.
At the Berghof, it was almost like a family atmosphere there. We all ate meals together, watched films together before the war, listened to records, all those things. The same faces were always around on the mountain. If [Adolf] Hitler and Eva [Braun] had an argument there, it would have been obvious to me, because I knew Eva.
I think what people like about my channel is that I am not perfect. I always point to my pimple, my bad hair day... people relate to that. They are watching somebody who is exactly like them and talking about things that they experience as well.
My style of play has always been 'Guardiola style,' so I've not had too many problems. At the same time, he helps you to evolve and to change little things, because it's obviously not exactly the same style of play as at Bilbao.
I find that writing is a constant battle with exactly the same problems you've always had.
When we digital artists talk about painting on the computer, that is exactly what we do. The paints we use are pixels, the brush we use is a pressure sensitive pen. The colors are the same as painters use, and how we get to the final image is the same gut wrenching way.
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