A Quote by Joss Whedon

Limitations are something that I latch onto - like working in genre, or if you're writing TV, there are act breaks, there's a length of time it's supposed to be. The restrictions of budget and sets can be really useful. When you can have everything, it's very hard to make things feel real and lived in.
I treat the act of making a record very much like working in a laboratory, experimenting with sounds and ideas. Whoever chooses to latch onto it, great; whoever doesn't, that's fine, too. The reaction always pales in comparison to the weight of the act of production.
I think part of making movies is dealing with restrictions of freedom and budget. I'd rather deal with restrictions of budget. It's better to feel free within any budget.
In America, even the critics - which is a pity - tend to genre-ize things. They have a hard time when genres get mixed. They want to categorize things. That's why I love Wes Anderson's films and the Coen Brothers, because you don't know what you're going to get, and very often you get something that you don't expect and that's just what a genre's not supposed to do.
It's a trap I've fallen into earlier in my career - trying to be liked. Don't do it. When I watch TV and I see someone trying to make me like them, acting cute or quirky or goofy, I'm not impressed. Don't act like America's watching you. Just latch onto your character. Characters are flawed. Be unlikeable. Be flawed. Be a person.
I started getting seriously into music when I was a kid. 1978 was my big year. It just hit home. That was before real metal. There was Black Sabbath and that kind of stuff, but the real underground, hard stuff wasn't even around yet. It was cool to watch that happen and latch onto the next edge of things every time that progression happened.
I have a hard time writing. Most writers have a hard time writing. I have a harder time than most because I'm lazier than most. [...] The other problem I have is fear of writing. The act of writing puts you in confrontation with yourself, which is why I think writers assiduously avoid writing. [...] Not writing is more of a psychological problem than a writing problem. All the time I'm not writing I feel like a criminal. [...] It's horrible to feel felonious every second of the day. Especially when it goes on for years. It's much more relaxing actually to work.
I really feel like a walking testimony of like if you set your mind to things, how things can come true for you. I feel like I'm like, like the law of attraction. I feel like I'm living that life wholeheartedly. Everything that I've looked for out of life, it's come to be so far... I'm working hard, I'm not getting lucky, I'm earning things... I feel like a living testament to how you can just put your mind to anything and make it happen.
I'm creating my own oasis in my house. I've got a lot of calming, soothing things around my house. The way it's set up, it's supposed to just be a breath of fresh air. I can find solace in painting and writing. I honestly love what I do, so it's not too much for me. Creating is something I've always been able to do, whether it's making little cartoons or writing a full-length script. It's something I really, really enjoy. I'm trying to make the best of what I've been given.
There's something bigger than improvised music versus pop music versus something else. What actually succeeds in being communicated are human feelings, things that people can latch onto and say, "Yeah, I feel like that sometimes." It can be inspiring or it can be something that keeps you sane when you're not feeling well.
I get very frustrated by this term 'genre exercise.' I mean, what exactly is that? Genre is not really relevant when you are writing a song; hopefully you are doing it to explore something, to create something, and I don't agree that any of my albums are genre exercises.
I'm working on a number of different things. I'm working on a couple of TV things and I'm working on a couple of film things too, and they're all very early stages. One of them I'm writing myself, one of them I'm writing with somebody else, and one of them I'm supervising a writer, and they're all sort of coming up at the same time and it'll be interesting to see which one kind of reveals itself first and jumps ahead.
For me, writing is a job. I do not separate the work from the act of writing like two things that have nothing to do with each other. I arrange words one after another, or one in front of another, to tell a story, to say something that I consider important or useful, or at least important or useful to me.
I don't feel real confident expressing myself except when I'm writing. I feel kind of scatterbrained. I can see everything from both sides and that makes it hard to reach conclusions. Writing enables me to clarify things.
I think one of the hardest things to do in film or TV is to make something feel real, which is weird because it's about being a person, and life is something that everyone making films and TV can relate to.
You might not have the biggest budget or resources or cast, but if you have a great story, people will latch onto it.
For me, writing is a job. I do not separate the work from the act of writing like two things that have nothing to do with each other. I arrange words one after another, or one in front of another, to tell a story, to say something that I consider important or useful, or at least important or useful to me. It is nothing more than this.
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