A Quote by Joss Whedon
The fact is some people really love my work, some people not so much, but at the end of the day, I don't want anybody coming out of the movie thinking about me.
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There are many different types of people that end up coming to me and saying 'Yeah I want to cook.' Some of them successful, some not. There's no one formula, but if I get someone coming through the backdoor who knows that they want to get into the cooking field, they feel this inside-out love for it, this attraction to it, that person is an awful lot easier to work with.
As much as I thought the end of 'Friday Night Lights' was a really great ending, I was one of those people who wanted to make it into a movie. Even though it ultimately didn't work to do that movie, I did work with some of the other writers and by myself writing a script for that.
I don`t want people walking out of a movie thinking I was trying to act or be some movie star. I want them to think, `That might make me like Jessica a little bit more.`
I really hope that I can be as good as some people think I can be. But I may never work again... and that's the reality of the film industry. So, it's nice but I wouldn't want to go into something feeing like I needed to prove that I was good enough to be there. Maybe in some ways, it makes me think: "Do you know what? Some people think I'm alright, so maybe I should go into a job thinking I'm not rubbish." But I don't really think about it.
Everybody knows about Las Vegas. It's a state of mind. Some people want to come with their kids and have a great weekend. Some people want to shop. Some people want to find hookers. Some people want to eat. Some people just want to gamble. It's a potpourri of decadence.
I work out. I try to work out every day. That keeps me in the moment, which is great. Keeps my head from thinking about the future and the past too much. I love working out. That really helps me a lot.
I didn't want to be part of that tradition of French cinema that wasn't really watched by the people of my age. I didn't really care to be in the last André Téchiné or Claude Chabrol movie, even though some of them are really interesting. For me, it was much more important to work with Mathieu Kassovitz or Gaspar Noé. It was for me a question of identity.
I've had some wonderful love affairs and some that didn't work out. I don't want to dwell on that and I don't want to put people down, but I think all the fabulous places I've been, the wonderful things that have happened for me, the great people I've met - that ought to make a story.
If you press-mold a pot or if you slab-build a pot, the work has got to take much, much, much longer than if you work on the wheel. And I to this day have the ideal that I want my work to be not too expensive, so that if people buy it and break it, it's not going to be the end of the world. I'm not interested in having things in museums, although some of our work has ended up there, but that's not what I'm striving for.
Some people are guilty when they win. Some people, "Ah, you know, it's so unfortunate, some people had to lose." I mean, even some modern-day competitors, athletes have a guilt complex about winning. They think it isn't fair. That's not how you win. You don't feel guilty when you wine, and you don't feel sorry for anybody about it.
I could have been, and may one day well be a high school English teacher, because I've been given so much I just feel like I have to give something back. The fact that some people consider my work to be good or strong, it's nice, but I know in my heart that if it's not coming - oftentimes it's probably not coming from the best place.
Because You have called me here not to wear a label by which I can recognize myself and place myself in some kind of a category. You do not want me to be thinking about what I am, but about what You are. Or rather, You do not even want me to be thinking about anything much: for You would raise me above the level of thought. And if I am always trying to figure out what I am and where I am and why I am, how will that work be done?
The Control movie is not about suicide, it's not about epilepsy, it's not about everything else, but it's about an individual who was thinking out of the box and took his own passion and created music. His negativity and whatever else, he bottled them up and spilled them out onto his world of music. I think a sense of hope comes from the end of the movie, in my mind. Some people come out of the movie and think, 'That's the saddest thing I've ever seen,' and others come out and think, 'God, there's optimism.'
I've had guys, when I've been single, come date me and I've found out they were expecting some kind of whirlwind, some dramatic crazy person-- and that's just not me. I'd much rather be in a movie that people have really strong feelings about than one that makes a hundred million dollars but you can't remember because it's just like all the others.
As long as I'm working in sport, enjoying it and getting to see some wonderful sporting events, I'm quite happy. I don't want to be really famous. I don't want people to stop me in the street. I want to just enjoy the work, work with lovely people, work on good quality sport and get to experience some more of these amazing moments.
Fall in love with some activity, and do it! Nobody ever figures out what life is all about, and it doesn't matter. Explore the world. Nearly everything is really interesting if you go into it deeply enough. Work as hard and as much as you want to on the things you like to do the best. Don't think about what you want to be, but what you want to do. Keep up some kind of a minimum with other things so that society doesn't stop you from doing anything at all.
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