A Quote by Joss Whedon

My deal with Marvel is I have a consulting deal with them as well as a contract to make 'Avengers.' That means I'll read all the scripts, I'll look at cuts. — © Joss Whedon
My deal with Marvel is I have a consulting deal with them as well as a contract to make 'Avengers.' That means I'll read all the scripts, I'll look at cuts.
You look at the world and see how scary it can be sometimes and still try to deal with the fear. Comedy can deal with the fear and still not paralyze you or tell you that it's going away. You say, OK, you got certain choices here, you can laugh at them and then once you've laughed at them and you have expunged the demon, now you can deal with them. That's what I do when I do my act.
I'm the first secretary of defense that's had to deal with sequestration. I've prepared two budgets that deal with sequestration. And you bring the chiefs together, the leadership of this enterprise together, to work through, how do we then take these cuts? Where do we apply those cuts? Readiness is the first thing that suffers.
The thing I love about Marvel in general is that they deal with people. They deal with the human being first: Who is inside the suit? Who is the person that obtained this power or this ability?
To me I don't deal with stress well at all, and it is stressful enough for me to deal with my own one character. So if I had to deal with all the characters and the special effects, and the editing and make the writing tweaks and do everything the director does, that would drive me to an early grave, and I just can't do it.
I'm not just going to get a deal; I'm going to get the deal. And in my deal I got by signing with No I.D. to Def Jam, I got full creative control, the money was great, the contract was good, and I got to create the album that I wanted.
It's difficult because you can't generalise about these things. But in essence, you deal with children as simply as you deal with actors - you have to show a certain sort of respect. You deal with them lovingly and protect them, but if you protect them enough then they're open to engage with what you want to do with them.
I'd rather deal with a Mob guy shaking hands on a deal than a Hollywood lawyer, who, the minute you get the contract signed, is trying to figure out how to screw you.
I think [Iranian deal] was the worst deal I've ever seen negotiated. The deal that was made by the [Barack] Obama administration. I think it's a shame that we've had a deal like that and that we had to sign a deal like that and there was no reason to do it and if you're going to do it, have a good deal.
I get so annoyed at people not looking after their parents. The deal is when we are growing up they look after us and as they grow older we look after them. That's the deal.
Every actor has to deal with what's on his plate, and I try to deal with doing the best work possible with the most challenging scripts. I don't base it on whether it's a feature film or a TV-movie or cable.
I can assure you Mr. Zureikat never gave me a penny from an oil deal, a cake deal, a bread deal or from any other deal.
Moving to New York City and doing what I do, social anxiety is a really ridiculous kind of curse to have. But I met people along the way who deal with it - performers as well - and they are learning to deal with it daily and deal with it in different ways.
For the first 10 minutes after you meet them, they have the wattage and charisma of movie stars. Then you have a coffee with them and you realize we're all the same, we're all just people. All of the actors in The Avengers are so nice. Marvel has these code names for projects and the code name for The Avengers was Group Hug. It felt very much like a group hug on set.
We have to deal with issues like inequality, we have deal with issues of economic dislocation, we have to deal with peoples fears that their children won't do as well as they have. The more aggressively and effectively we deal with those issues, the less those fears may channel themselves into counter-productive approaches that pit people against each other.
The artist is the lowest form of life on the rung of the ladder. The publishers are usually businessmen who deal with businessmen. They deal with promotional people. They deal with financial people. They deal with accountants. They deal with people who work on higher levels. They deal with tax people, but have absolutely no interest in artists, in individual artists, especially very young artists.
I look at Boston-based companies all the time... There's certainly great companies in Boston. If the deal makes sense on the merit of the deal itself, we'll go and do the deal.
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