A Quote by Jovan Adepo
The first time I mentioned publicly that I had known Viola for some time, many people took it like Viola got me the job in 'Fences'.
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The difference between a violin and a viola is that a viola burns longer.
What we did [shooting "Fences"] was we got young students from Carnegie Mellon, the acting and theater students, and we had them as our understudies. I told them, "You have to be off book and be ready. If Viola [Davis] has to leave you have to jump in."
Viola? Keep calling for me– And I’ll keep searching for you– And I’ll find you– You bet yer life on it– I’ll find you– Keep calling for me, Viola– Cuz here I come.
Viola? Keep calling for me– And I’ll keep searching for you– And I’ll find you– You bet yer life on it– I’ll find you– Keep calling for me, Viola– Cuz here I come.
I found Viola Desmond was the first woman whose case was taken up in the courts, and it wasn't that she tried to sue them for throwing her out of the theatre; it was that they took the law and used it to arrest her. That was really shocking to me. We had no laws in Canada actually requiring segregation, like they did in the United States. But here we had people using the law - the amusements tax act - to enforce segregation, and our courts allowed them to do that.
I did 'Fences' off-broadway at the Beacon Theater, so it's amazing that Denzel Washington and Viola Davis brought it to Broadway.
When Denzel [Washington] first called me on the phone after we'd just done a reading of the film ["Fences"]. He said, "Oh Viola it was so good, wasn't it?! I'm gonna tell Russell [Hornsby] to lose a little bit of weight and..." I was just sitting there thinking, why is he calling me? And I told him, "Denzel don't you tell me to lose weight!" He said, "I'm not telling you to lose weight! I can't believe you would say that."
I carry around a black leather Moleskine journal all the time. And I always write ideas down, especially when I'm on set and working with actors like Jeremy Irons and Viola Davis and learning from them.
I'm old enough to have lived through a time when Martin Luther King Jr., Medgar Evers, Viola Liuzzo, Andrew Goodman, Michael Schwerner, James Chaney, and others died so people of color could vote.
You said we've got a new page. I figure I've got some say in what gets written on it. So I'm going to work on you. Last time around, you threw yourself at me.” “I did no such thing.” “Sure you did. But I can see I've got my work cut out for me this time. That's okay.” He skimmed his thumb over her knuckles before she jerked her hand free. “In fact, I think I'm going to enjoy it.” “I don't know why I waste my time trying to mend fences with you. You're as arrogant as you ever were.” “Just the way you like me, sweetheart.
I always had an affinity for older people. I had a job delivering newspapers, and one place I had to go was an old people's home. Some people would introduce you to their neighbors as if you were a nephew or grandson. They didn't get many visitors, so they acted like you were coming to see them. And that stuck with me for a long time.
I'll find you- Keep calling for me, Viola- Cuz here I come.
Kevin [Drew] beat me to the punch because when he first sent "Sister OK" and I'm listening to it, it took me to a place that I had not been to in a long time. It took me to a place when you're a teenager. I understand it all now, but in a moment of confusion, in a moment of trying to find some kind of solid ground in an environment that was quicksand in my life, it's that first line just kills me all the time: "Well it's just that your sister said you'd be OK."
I remember once, when I started writing for the alto saxophone, a saxophonist told me to think of it as being like a cross between an oboe and a viola, but louder.
My movies are always being played on television, I'm very well known and all that stuff - I go all over the world, I have access to many things, many people, many places and it's wonderful. But now I'm at a point where...I thought it was time to show some of it, to show some of my feelings about things and what I preferred at the time. I prefer them still but not to the extent I did at the time.
When I was 16 I took the first opportunity I had to play basketball in a different country. I flew to Europe for the first time and found myself in the small town of Macon, in France. That was the first time I lived far away from my people, from my culture. I was young and had to adapt quickly.
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