A Quote by Joy Behar

I think that comedy is a good defense for a child. Because you know childhood is a nightmare as it is. And so why not use comedy and being funny as a defense to get through your life as opposed to drugs, alcohol and good looks? Because those things are dangerous when your young.
And I think comedy obviously a great way to get a message out because you know the reason why things are funny is because they're true.
When you wrap up your self-worth with your talent, and suddenly you might not be the most talented, that's really scary. And I think that fear is in part why I turned to comedy because I had no expectations of being a comedian. It was exciting to get good at something where I wasn't afraid of not being the best.
The safest genre is the horror film. But the most unsafe - the most dangerous - is comedy. Because even if your horror film isn't very good, you'll get a few screams and you're okay. With a comedy, if they don't laugh, you're dead.
Most of the jokes that I wrote were funny and there always seems to be an aspect of comedy in my long-form work. I think that's how life is. I think even the more dramatic moments of one's life are often punctuated by very funny comments or situations. I like to say, "Keep your comedy serious and your drama funny, and you'll be pretty true to life."
Comedy is hard to do, and I don't know why it doesn't have its own category in awards. I don't understand why people think it's harder to do drama than it is to do comedy. It doesn't get respect. It's hard. It's really hard. It would be more gratifying to get something for a comedy, because it doesn't happen much or at all.
You get into comedy because you are insecure, and you communicate with the world through comedy to sort of alleviate the tension of those insecurities and to find a way to make people like you other than the way you look or how good you are at sports. I don't think that really goes away.
Well, my dad (Ken Griffey) taught me that there's three parts. There's hitting, there's defense, and there's baserunning. And as long as you keep those three separated, you're going to be a good player. I mean, you can't take your defense on the bases, you can't take your hitting to the field, and you can't take your baserunning at the plate. But defense, is number one.
I can't watch other people doing comedy. As soon as somebody starts being funny I have to turn off because it upsets me. I get comedy indigestion. I just hate anybody else being funny. That's my job.
It's very hard to find a good comedy. I prefer doing comedy far over anything else because I think they're actually more profound. But finding a good one and a great ensemble is very difficult to do and I'm delighted that in these particular times there is so much interest in comedy and that comedy is having so much success.
I love doing comedy. You don't get many good comedy scripts. They're rare. But, I do love playing comedy. Even in drama, I like to try to find the humor because I think it's very human.
Life has to keep going, so you can either be a victim the rest of your life and let it drag you down into drugs and alcohol and depression or you can turn it into something good, fun even, you know, and I tell young people who are going through depression that this might be the most important time of your life. This might be what makes you a great artist later on.
I think I'm one of those guys who was sort of always in comedy. I thought of myself - and other people seemed to think of me - as funny from a very young age. I was a very young comedy nerd and I even did sketch comedy in high school and college. I wrote and shot sketches on video and acted in them.
If you think of the people who are funny in your life, you'll note it's not because they tell jokes, it's because of their character. If you develop characters, then you'll know them, and you'll know how they'll speak. The comedy will come out of the character.
It's funny, because when I was in college, all my professors said, 'You should do comedy.' And I was like, 'No! No!' But I was able to get my foot in the door through comedy. I'm so grateful to have the opportunity to do it.
Just because we can shoot something that looks like a movie doesn't mean we should. Sometimes if something looks too good, it's not funny. Some things need to look good, because we think it's funny that you'd spend so much time and be so precious about such a stupid idea.
What I've kind of learned about comedy is that when comedy gets too expensive it might not be funny. Sometimes it's good to keep the conditions where you're pressed for time and it's just about getting the work done, as opposed to how much things are we eating on the set.
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