A Quote by Joy Bryant

In the mid-nineties, diversity in the fashion/beauty business was hard to come by. — © Joy Bryant
In the mid-nineties, diversity in the fashion/beauty business was hard to come by.
The way our big cities change sucks. The beauty of cities was that they were edgy, sometimes even a little dangerous. Artists, poets, and activists could come and unify and create different kinds of scenes. Not just fashion scenes, scenes that were politically active. Big cities are getting so high-end oriented, business corporate fashion, fashion not in an artistic sense but in a corporate sense. For me that edgy beauty of cities is lost, wherever you go.
One cabbie chastened me by saying that the fashion industry was doing harm to young people, who are trying to live up to an unrealistic ideal. It prompted me to make body image and diversity key issues on 'The Business of Fashion.'
Negativity drove me out of politics in the mid-Nineties.
I was just utterly oblivious to how difficult it was, and how difficult it was going to be, and then also in the mid-eighties through the mid-nineties there was a boom of sorts. So there were plenty of stages. If I had started now, there would be very few places to get better and better.
I'm kind of stunned by hip-hop and R&B's embrace of what is essentially early-to-mid-Nineties Euro pop.
I'm not in the fashion business; I'm in the beauty business.
When I started, I had a really hard time getting work. It was the mid- to late-nineties. There was the WB. My age was perfect for it, but I just never came across as a youngster. I had to grow into my age in order to start working, and by the time I did, it was when things started to get good.
Fashion is not art. Fashion is a business that requires discipline and attention to detail and very organized systems of logistics and operations and processes. But even with the most smoothly oiled machine to manage the business, without creativity, fashion could not exist.
Coming from a pageant title that celebrates diversity, I've come to appreciate all kinds of beauty.
It's really sad to me that we even have to talk about diversity in the fashion world today. That I would love to change. Diversity should be normal.
Fashion lives in the world of ideals; it is not necessarily grounded in the real world. The question becomes whose ideal it is. My ideal happens to be diversity. I love difference. I love change. I love experimentation and eccentricities. I like not knowing something and then discovering. Fashion can only reflect this diversity if we designers have an open and curious mind.
The Cold War went on for so long that it bred a kind of worldwide military establishment. Even when budgets went down in the early and mid-nineties, it didn't really affect it.
I first started going to Chelsea games in the mid-Nineties when I lived off the North End Road, ten minutes' walk from Stamford Bridge.
I am super passionate about my new business because it has the potential to disrupt the fashion industry in a positive way. Master & Muse is providing a place to buy better. There are many big issues in producing fashion today, and the consumer doesn't fully understand the problems at hand. That is where we come in. We are providing awareness, information, and great fashion.
I'd like to see fashion slow down a bit. What freaks me out about fashion today is the speed - the speed of consuming, the speed of ideas. When fashion moves so fast, it takes away something I always loved, which is the idea that fashion should be slightly elusive. Hard to grasp, hard to find.
Fashion is a hard business.
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