A Quote by Joy Kogawa

Poetry is a kind of gasp, and there it is, a spark on the page. Fiction, on the other hand, is like swamp fire. — © Joy Kogawa
Poetry is a kind of gasp, and there it is, a spark on the page. Fiction, on the other hand, is like swamp fire.
Fiction, on the other hand, is like swamp fire.
It's not that he lacked poetry. But his poetry was of the body, not the mind. He spoke it in the way he moved, the way he held a hammer, rowed a boat, built a fire. I, on the other hand, was like a brain in a box, a beating heart in a coal scuttle.
If you have that spark that inspires other people, if you have a spark that gives resources to other people, that shares in really collaborative fashion, a spark of wit that kind of tells a story that gives people novel perspective of something, that's the kind of charisma that really leads to lasting power. It's not the kind of charisma that's seductive and self-aggrandizing. It's really a sort of a kind of social energy that really brings about the best in other people.
Fiction is in danger of becoming a kind of poetry. Only other poets read it. Only other fiction writers care about it.
I've lost much of my heart and the spark or fire that once 'created,' or produced, the art of fiction.
Ive lost much of my heart and the spark or fire that once created, or produced, the art of fiction.
I just started calling myself 'Swamp A-.' Like, I have swamp a- right now. I had major swamp a- because I was wearing these Spanx to hold in my gut ... It's like the bayou up in that region.
... imaginary gardens with real toads in them ... ... if you demand on one hand, the raw material of poetry in all its rawness and that which is on the other hand genuine, then you are interested in poetry.
A documentary film-maker can't help but use poetry to tell the story. I bring truth to my fiction. These things go hand in hand.
Like the tiny spark of fire that consumes a forest, the spark of love is all you need to experience love in its full power and glory, in all its aspects, earthly and divine.
The art of fiction is one of constant seduction. You must persuade the reader on page 1 to start reading - on page 50, or page 150 and yes, on page 850.
Looking back, fire images have been constant in my poetry. As a boy, it was my job to light the fire each morning, and I remember the celebratory bonfires at the end of the war. It was from staring into fire that I began my first poetry.
When I devoted myself to poetry - and poetry is a very serious medium - I don't think the people that knew me as an individual with that tongue-in-cheek kind of humor...well, it didn't always lend itself to my poetry. When you're writing poetry, it's like working with gold, you can't waste anything. You have to be very economical with each word you're going to select. But when you're writing fiction, you can just go on and on; you can be more playful. My editor's main task is to cut back, not ask for more.
A spark can set a whole forest on fire. Just a spark. Save it.
One of the primary differences for me between fiction and poetry is that fiction uses every sort of tool that poetry does but hides it much, much more. Fiction doesn't necessarily reveal what it's doing with rhythm and sound and patterning.
I was laying in bed one night and I thought 'I'll just quit - to hell with it.' And another little voice inside me said 'Don't quit - save that tiny little ember of spark.' And never give them that spark because as long as you have that spark, you can start the greatest fire again.
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