A Quote by Joy Mathew
It was Ranjith who inspired me to be a film maker. And ever since I began the shoot, he is keeping a track of the progress. In fact, he knows the script of 'Shutter' better than me.
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I have concluded through careful empirical analysis and much thought that somebody is looking out for me, keeping track of what I think about things, forgiving me when I do less than I ought. Giving me strength to shoot for more than I think I’m capable of. I believe they know everything that I do and think, and they still love me, and I’ve concluded, after careful consideration, that this person keeping score is me.
For me, it's always the script. The script which gives me the chance to do something new; that has been my prime objective ever since I started acting. There's nothing else that excites me more than that.
Johns will give me a good critique of my work. Before starting my film 'Shutter' I gave the script to Johns for his opinion.
And you still love Marc?" "More than I can even explain. He's my rock—strong and steady, and ready for anything. He knows what I need before I know it, and he pushes me to work harder, and look deeper, and be better. He challenges me, and infuriates me, and he lights me on fire, deep in my soul. And he has never, ever let me down. Sometimes it feels like he's the only thing keeping my heart beating. I love him so much that it feels like I'm dying a little bit every day that he won't smile at me. Or touch me.
What you see in my script may not be what's in the film. Sometimes it's a very scary thing, when I have to shoot in the morning and the scene's not good enough, and it's only me there, and there's no signal to even call the others and say, think of a better line.
I'd like to have the script in a much better place from day one of shooting, rather than trying to continue to work on it while you shoot it. I think those are lessons you learn on any film.
If I see someone I think is in a better position than me, it is better for me to give the ball. Now I shoot more at goal. When I was young, they sometimes said to me, 'You need to shoot more. You try to give it too much.' It is something that I learned. To try to take the best option.
Let me tell you what, reality is better than any script you could ever write.
Even for the most difficult scenes, and there are difficult scenes in the film, and because Michael Haneke is such a great film-maker - I think a great film-maker is not only being inspired, but how to do it, how to make it as real as possible, knowing that it's not real.
My dad knows me better than anybody else. He probably knows me better than me.
'Podaa Podi' is a film that sees Simbu and Varalakshmi in three phases of life. Thus this film of course takes more time to wrap than usual flicks. The film is entirely being shot in London and we require to shoot it only during a particular season as the script demands it.
For me, the film-maker is more important than the story.
It is vital for me to make progress as a lyrical singer since it also helps me to sing rock better.
My parents, who were split up, were so good at keeping my environment strong and keeping everything around me not focused on the fact that we were poor. They got me culture. They took me to museums. They showed art to me. They read to me. And my mother drove two hours a day to take me to University Elementary School.
... photography, like all camera-made images such as film and video, effaces the marks of its making (and maker) at the click of a shutter. A photograph appears to be self-generated - as though it had created itself.
Let me put it this way: if I am the leading man of the film, and the film-maker is asking me to support him in a certain aspect so as not to burden the budget of the film, I will do whatever I can to support his vision.
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