A Quote by Joy Williams
Nothing the writer can do is ever enough.
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Writers end up writing stories-or rather, stories' shadows-and they're grateful if they can, but it is not enough. Nothing the writer can do is ever enough
It feels as though a very disproportionate number of main characters are writers, because that's what the writer knows. Fair enough. But nothing bothers me more in a movie than an actor playing a writer, and you just know he's not a writer. Writers recognize other writers. Ethan Hawke is too hot to be a writer.
Writer's block is a natural affliction. Writers who have never experienced it have something wrong with them. It means there isn't enough friction-that they aren't making enough of an effort to reconcile the contradictions of life. All you get is sweet monotonous flow. Writer's block is nothing to commit suicide over. It simply indicates some imbalance between your experience and your art, and I think that's constructive.
I'm lucky enough to work with, I think, the greatest writer there's ever been, Shakespeare. Whose collected works would always be under my pillow if I was only ever allowed one book to keep, and who never bores me.
Im lucky enough to work with, I think, the greatest writer theres ever been, Shakespeare. Whose collected works would always be under my pillow if I was only ever allowed one book to keep, and who never bores me.
But we should ask the question: Why should a writer be more than a writer? Why should a writer be a guru? Why are we supposed to be psychiatrists? Isn't it enough to write and tell the truth? It's not like telling the truth is common. Writers are the earthworms of society. We aerate the soil. That's enough.
There's this unspoken assumption when you're the child of a doctor that nothing is ever wrong with you - or at least nothing horrendous enough to warrant your father leaving work.
We all know of course, that we should never ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever fiddle around in any way with electrical equipment. NEVER.
It is popular to believe that in order to see clearly one must believe nothing. This may work well enough if you are observing cells under a microscope. It will not work if you are writing fiction. For the fiction writer, to believe nothing is to see nothing.
If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an iceberg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing.
A writer is a performer as well. A writer isn't the literary department. That gets tried on but nothing's a script unless a good writer goes away and does his thing alone.
...nothing ever happens quickly (except when it does). Nothing is ever, ever easy (except when it is). And, most of all, nothing ever goes perfectly according to plan (except in the movies).
In the life of a real writer, nothing is ever lost, no word you write is a waste of your time or energy.
No black woman writer in this culture can write "too much". Indeed, no woman writer can write "too much"...No woman has ever written enough.
Nothing is ever enough when what you are looking for isn't what you really want.
writers of novels are so busy being solitary that they haven't time to meet one another. But then, a writer learns nothing from a writer, conversationally. If a writer has anything witty, profound or quotable to say he doesn't say it. He's no fool. He writes it.
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