A Quote by Joyce Carol Oates
Fiction that adds up, that suggests a "logical consistency," or an explanation of some kind, is surely second-rate fiction; for the truth of life is its mystery.
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In this world are very few things made from logic alone. It is illogical for man to be too logical. Some things we must just let stand. The mystery is more important than any possible explanation. The searcher after truth must search with humanity. Ruthless logic is the sign of a limited mind. The truth can only add to the sum of what you know, while a harmless mystery left unexplored often adds to the meaning of life. When a truth is not so important, it is better left as a mystery.
Fiction is lies; we're writing about people who never existed and events that never happened when we write fiction, whether its science fiction or fantasy or western mystery stories or so-called literary stories. All those things are essentially untrue. But it has to have a truth at the core of it.
Surely the job of fiction is to actually tell the truth. It's a paradox that's at the heart of any kind of storytelling.
First-rate science fiction was, and remains, more interesting than second-rate art.
It may be far in the future, but there's some kind of logical way to get from where we are to where the science fiction is.
Fiction to me is a kind of parable. You have got to make up your mind it's not true. Some kind of truth emerges from it, but it's not fact.
I could write historical fiction, or science fiction, or a mystery but since I find it fascinating to research the clues of some little know period and develop a story based on that, I will probably continue to do it.
Why couldn't the world that concerns us- be a fiction? And if somebody asked, 'but to be a fiction there surely belongs an author?'- couldn't one answer simply: 'Why? Doesn't this "belongs" perhaps belong to the fiction, too?'
Most of my stories, if not all of them, have some basis in real life. That's the kind of fiction I'm most interested in. I suppose that's one reason I don't have much respect for fiction that seems to be game playing.
Telling ourselves that fiction is in a sense true and at the same time not true is essential to the art of fiction. It's been at the heart of fiction from the start. Fiction offers both truth, and we know it's a flat-out lie. Sometimes it drives a novelist mad. Sometimes it energizes us.
...Don't let me ever hear you say, 'I can't read fiction. I only have time for the truth.' Fiction is the truth, fool! Ever hear of 'literature'? That means fiction, too, stupid.
Fiction and non-fiction are only different techniques of story telling. For reasons I do not fully understand, fiction dances out of me. Non-fiction is wrenched out by the aching, broken world I wake up to every morning.
It remains a mystery to me why some of that [pulp] fiction should be judged inferior to the rafts and rafts of bad social [literary] fiction which continues to be treated by literary editors as if it were somehow superior, or at least worthier of our attention. The careerist literary imperialism of the Bloomsbury years did a lot to produce fiction's present unseemly polarities.
A fine memoir is to a fine novel as a well-wrought blanket is to a fancifully embroidered patchwork quilt. The memoir, a logical creation, dissects and dignifies reality. Fiction, wholly extravagant, magnifies it and gives it moral shape. Fiction has no practical purpose. Fiction, after all, is art.
I used to write fiction, non-fiction, fiction, non-fiction and have a clear pattern because I'd need a break from one style when going into the next book.
Fiction ought to announce the problems, dramatize the problems, display them. Yet offer no set answer. An answer would solve the mystery. Writing fiction, for me, is about putting on paper my obsessive interest in something mysterious. I may figure out the source of the mystery, the things that brought some action or image to my mind, but to make an equation of it would ruin the story.
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