A Quote by Joyce Carol Oates

the music was always in the background, like music at a church service; it was something to depend upon. — © Joyce Carol Oates
the music was always in the background, like music at a church service; it was something to depend upon.
Music always stimulates my imagination. When I'm writing I usually have some Baroque music on low in the background chamber music by Bach, Telemann, and the like.
I never work with music. I hate background music, always did. I only like music in the foreground, meaning, deliberately listen to it, actually.
When we decided to marry, we had two ceremonies - one was more bureaucratic for the sake of the Swiss authorities,then a church service in Florence, and I wrote the music for the church service. The challenge in that was that Iman's [Abdulmajid] family are Muslim and mine are Protestant. I had to be careful about the prayers that we chose and the music I wrote because I didn't want to offend either side.
For me, when I grew up playing music, I played music in church and people were shouting and having a big time, and church wasn't something where it was subdued. If you played something, you brought it to church with you.
My dad plays guitar in the church band, so it's like music as a service. He plays at old-people homes, so that's like music as a gift.
I have a music-video background, and I feel like the responsibility of a music-video director is to do something that hasn't been done before in a really cool visual way. So much innovation has come in filmmaking through music videos.
I've always been a fan of vinyl. There's something about the ritual of it. Something about it holds its gravity, for some reason. Sometimes you'll put on music and the music fades into the background. But when you take that vinyl out and put it down, the music becomes the conversation as opposed to being the soundtrack to it.
I've always loved independent music stores because the staff is usually there because of a genuine love and appreciation for music. They're more in-tune with the customers and I'm willing to pay the extra dollar or two for the service they provide. Some of my greatest music discoveries have come from picking up an album at an indy store and the cat behind the register saying "You like this man? Have you heard of so-and-so?" I prefer to shop where people understand me and the music- the music i like.
Being from a background of dance music and what you might call club music or electronic music, I think something that gets neglected in that scene is personal vulnerability.
That seems like one of the differences in expectations of "serious" and "popular" music that you can actually depend on the liner notes to explain yourself? Yeah. Whereas in popular music you depend on photo shoots. A hardcore band who looked like Duran Duran would have to depend upon those liner notes.
If you listen to soul music, or R&B music, or Blues music, a lot of that came from church music and spiritual music, and music has always been a really really powerful tool that people have used to get them closer to God - whatever they define God as. And for me that's always been part of what drew me to it and keeps me coming back for more.
I like philharmonic music a lot. That kind of symphonic music has always been an integral part of the arrangements in many of my songs and background scores.
I had experiences or exposure to music in church. I went to a church, it was very unique. It was a predominantly African American Catholic church. So they would have - one mass would be traditional church music, and then the other mass would be gospel music.
Music as background to me becomes like a mosquito, an insect. In the studio we have big speakers, and to me that's the way music should be listened to. When I listen to music, I want to just listen to music.
I call this my church house trilogy. Souls' Chapel really was music from the Mississippi Delta, which to me is a church within itself. The Delta is the church of American Roots music. The Badlands is a cathedral without a top on it. And the Ryman has been called the Mother Church of Country Music, but to me it's the Mother Church of American Music. If you can think it up, it's been done there. In my mind, this is kind of a spiritual odyssey as much as anything else, and I had the settings of three churches to make it in.
When you face obstacles or go through different phases, I always relied on my music. I depend on my music, my teammates. So at the end of the day, having incredible music, for me, would keep me in the space I want to be as an artist.
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