A Quote by Joyce Carol Oates
There is a terrible weight in all kinds of beauty
Related Quotes
Beauty addresses itself chiefly to sight, but there is a beauty for the hearing too, as in certain combinations so words and in all kinds of music; for melodies and cadences are beautiful; and minds that lift themselves above the realm of sense to a higher order are aware of beauty in the conduct of life, in actions, in character, in the pursuits of the intellect; and there is the beauty of the virtues.
There are two kinds of beauty; there is a beauty which God gives at birth, and which withers as a flower. And there is a beauty which God grants when by His grace men are born again. That kind of beauty never vanishes but blooms eternally.
And if you look at pictures of Eleanor between 1918 and 1921, she becomes anorexic. She really loses a tremendous amount of weight. That's when her teeth really go bad. It's a terrible, terrible time for her. And she has five children, ranging in age from three to 10. It's an emotionally terrible ordeal.
Beauty! Terrible Beauty! A deathless Goddess-- so she strikes our eyes!
Beauty is a terrible and awful thing! It is terrible because it has not been fathomed, for God sets us nothing but riddles. Here the boundaries meet and all contradictions exist side by side.
... hitherto we have been permitted to seek beauty only in the morally good - a fact which sufficiently accounts for our having found so little of it and having had to seek about for imaginary beauties without backbone! - As surely as the wicked enjoy a hundred kinds of happiness of which the virtuous have no inkling, so too they possess a hundred kinds of beauty; and many of them have not yet been discovered.
It is quite clear that beauty does depend on one's culture and upbringing for certain kinds of beauty, pictures, literature, poetry and so on...But mathematical beauty is of a rather different kind. I should say perhaps it is of a completely different kind and transcends these personal factors. It is the same in all countries and at all periods of time.
I accidentally entered a youth pageant when I was 14. That's like a beauty pageant, but without the beauty. It was terrible.
I love that people are going, Yeah, I love a hundred different kinds of beauty; it's not all the tall, skinny supermodel. Around the world, we have to find the beauty. Now more than ever, we're looking.
I couldn't portray a women in all her natural loveliness.. I haven't the skill. No one has. I must, therefore, create a new sort of beauty, the beauty that appears to me in terms of volume of line, of mass, of weight, and through that beauty interpret my subjective impression. Nature is mere a pretext for decorative composition, plus sentiment. It suggests emotion, and I translate that emotion into art. I want to express the absolute, not merely the factitious woman.
I only have two kinds of dreams: the bad and the terrible. Bad dreams I can cope with. They're just nightmares, and the end eventually. I wake up. The terrible dreams are the good dreams. In my terrible dreams, everything is fine. I am still with the company. I still look like me. None of the last five years ever happened. Sometimes I'm married. Once I even had kids. I even knew their names. Everything's wonderful and normal and fine. And then I wake up, and I'm still me. And I'm still here. And that is truly terrible.
And the wild things roared their terrible roars and gnashed their terrible teeth and rolled their terrible eyes and showed their terrible claws.
For weight gain, one must do cardio in the evening and for weight loss, in the morning. So, while gaining weight, I did weight training in the mornings and light cardio in the evenings.
Every time someone starts talking about weight, it takes away from the fight. No one is born at that weight. We grew into that weight. It is all about the challenge, more so than the weight.
Terrible is the force of the waves of sea, terrible is the rush of the river and the blasts of hot fire, and terrible are a thousand other things; but none is such a terrible evil as woman.
As soon as men began to write, they made Helen of Troy their subject; for close on three thousand years she has been both the embodiment of absolute female beauty and a reminder of the terrible power that beauty can wield... But who was she?
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