A Quote by Joyce Carol Oates
Though I am never exactly "blocked" I do have difficult periods. I am led by a fascination with material - the challenge of presenting it in an original and engaging way. I have no problem imagining stories, characters, distinctive settings & themes - but the difficulty is choosing a voice & a language in which to present it.
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Penelope Fitzgerald never fails to surprise: her language is clever and elegant, her settings are unusual, her characters are unpredictable, and I am always caught out by a line or moment which makes me laugh out loud.
I am notoriously hard on myself in terms of working on new material and while I am critical of my performance on the Led Zeppelin material, I am way more critical of my own stuff. I'm pretty hard on myself.
And though I have done many shameful things, I am not ashamed of who I am. I am not ashamed of who I am because I know who I am. I have tried to rip myself open and expose everything inside - accepting my weaknesses and strengths - not trying to be anyone else. 'Cause that never works, does it?So my challenge is to be authentic. An I believe I am today. I believe I am.
The language of the heart--the language which "comes from the heart" and "goes to the heart"--is always simple, always graceful, and always full of power, but no art of rhetoric can teach it. It is at once the easiest and most difficult language--difficult, since it needs a heart to speak it; easy, because its periods though rounded and full of harmony, are still unstudied.
I've always been serious that way, trying to evolve to a more conscious state. Funny thing about that,though. You tweak yourself,looking for more love, less lust, more compassion, less jealousy. You keep tweaking, keep adjusting those knobs until you can no longer find the original settings. In some sense,the original settings are exactly what I'm looking for-a return to the easygoing guy i was before my world got complicated, the nice guy who took things as they came and laughed so hard the blues would blow away in the summer wind.
I mean, it's hard to talk about death without realizing that's our end too, right? I am constantly aware of death. It's not that I want to be, but it's a fascination of the mind and it plays a role in why I want to live my life a certain way. The more I am aware of my mortality the better person I am and the better I am at choosing a life that is aware of its beauty.
Buddha nature, is like the sun which is always shining, always present, though often obscured. We are blocked from our natural light by the clouds of thought and longing and fear; the overcast of the conditioned mind; the hurricane of I am.
I am really happy that even though I am stuck in the comedy genre I have not been typecast. I am still getting to experiment a lot with my characters, which is a boon.
I've written original material before, where I've come up with the idea and the characters myself, and that's definitely very different to working with someone else's characters and stories.
I write. I imagine. The act of imagining in itself enlivens me. I am not frozen and paralyzed before the predator. I invent characters. At times I feel as if I am digging up people from the ice in which reality enshrouded them, but maybe, more than anything else, it is myself that I am now digging up.
Asking “Am I choosing from my divinity or am I choosing from my humanity? “ opens the door for us to experience realms of reality that we may never have visited before.
People like scary stories. There's a fascination with fear themes, and we want to face those things in a weird, subconscious way.
If a novelist has created vivid characters, interesting relationships, settings the reader can easily imagine, and intriguing stories, a screenwriter has loads to work with. The challenge comes with deciding what to cut and what to keep.
The only way you can find it is through being alone with your thoughts at sufficiently long intervals to give that inner voice within you a chance to cry out in distinguishable language for you. 'Here I am within you.' That is the silent voice, the voice of nature, which speaks to everyone who will listen.
I am sometimes referred to as Excuse Me in an annoyed tone of voice, because apparently I am in the way. I am so sorry. I am supposed to be some sort of mind reader, I guess. I am moving out of the way now as slowly as I possibly can. I am doing this and there's nothing you can do about it.
Dysphonia is not a singing problem. It's a voice box issue in the muscle on the voice, very different from having a nodule on the vocal cords, which I've never had. I'm lucky that I've never had that. It needs a long renewal time, and even today, I am still addressing it.
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