A Quote by Joyce Cary

What is it in the actor, the stage, that casts so powerful a spell on the young imagination? — © Joyce Cary
What is it in the actor, the stage, that casts so powerful a spell on the young imagination?
Imagination! Imagination! I put it first years ago, when I was asked what qualities I thought necessary for success upon the stage. And I am still of the same opinion. Imagination, industry [hard work], and intelligence-the three I's-are all indispensable to the actor, but of these three the greatest is, without any doubt, imagination.
Truth casts a spell of its own.
The sea, once it casts its spell, holds one in its net of wonder forever.
There's a special gut-check moment the first time you write a scene in which somebody casts a spell.
And now I understand that truth casts a spell of its own, one I'm not sure of how to hold on to, though I'm desperate to try.
The inner life of the [imagination], and not the personal and tiny experiential resources of the actor, should be elaborated on the stage and shown to the audience. This life is rich and revealing for the audience as well as for the actor himself.
I'm an actor. Whether I'm on stage, in front of a camera or a microphone, what I do is the same - although with videogames it requires a lot of imagination.
With knot of one, the spell's begun. With knot of two, the spell be true. With knot of three, the spell is free. With knot of four, the power is stored. With knot of five, the spell with thrive. With knot of six, this spell I fix.
Love casts out fear; but conversely fear casts out love. And not only love. Fear also casts out intelligence, casts out goodness, casts out all thought of beauty and truth.
Basal Ganglia casts an unsettling spell, but one that in its aphoristic intensity and lightning-flash insights into human loneliness and connection, achieves a genuine empathic wisdom.
As an actor, whether I'm playing Othello on stage or David Estes on 'Homeland,' that ability to give into your imagination is something that I enjoy.
Imagination grows by exercise, and contrary to common belief, is more powerful in the mature than in the young.
If you're an actor, a real actor, you've got to be on the stage. But you mustn't go on the stage unless it's absolutely the only thing you can do.
In my career, I've had kind of a strange trajectory as an actor. I started out doing movies and theater and stuff, but then I had a terrible problem with stage fright as an actor on stage, and I quit stage acting for a long, long time.
An actor is an actor is an actor. The less personality an actor has off stage the better. A blank canvas on which to draw the characters he plays.
'Hanna' was nice. It was Saoirse Ronan's idea. Usually, the director casts the actor, but in this case, the actor cast the director.
This site uses cookies to ensure you get the best experience. More info...
Got it!