A Quote by Joyce DeWitt

Growing up I was a total movie-holic, but I always wanted to play the role that Clark Gable was playing or Spencer Tracy was playing. I was really never interested in the parts that women were playing. I found the parts that guys were playing were so much more interesting.
I was raised looking at women who were strong, and they weren't really into playing race cards or playing gender cards. I didn't grow up around women who were like, 'Well, let the boys do that, and let the girls do that.' I didn't really see that in my house.
The Beatles realized that what they were making in the studio could never be performed. And they had already given up on performing because there were too many screaming fans and they were playing in larger and larger venues so they couldn't even hear what they were playing, it just wasn't any fun any more.
How many women do we know who were continually kissed by Clark Gable, William Powell, Cary Grant, Spencer Tracy and Fredric March? Only one: Myrna Loy...
When I was playing with synth players, I was still within a conceptual framework of playing music. When I started playing solo, I became much more aware of the acoustic phenomena that the instruments were producing.
I've always been skeptical of people who say they lose themselves in a part. Someone once came up to Spencer Tracy and asked, "Aren't you tired of always playing Tracy?" Tracy replied, "What am I supposed to do, play Bogart?" You have to develop a style that suits you and pursue it, not just develop a bag of tricks.
I had been playing since I was 2 years old, never remembering a life without music, always playing everything naturally and mostly by ear, and all the grownups wanted were more scales and drudgery out of me.
Even back then I really didn't enjoy playing chord changes, riffs, and solos when I was young. The only thing I enjoyed playing were these Robert Fripp-type double-picked loops that no one wanted to hear, including me; I just liked playing them.
In my career, there have been three things that were challenging: playing gay; playing a Jewish woman; and playing Chekhov. The scariest part was playing Chekhov!
In my career, there have been three things that were challenging: playing gay; playing a Jewish woman; and playing Anton Chekhov. The scariest part was playing Chekhov!
Everything I did is because I wanted to do it. If I weren't playing this arena, if I were playing a club, I'd still be doing it because that's what I want to do. I love playing the guitar.
Every team I play, I'm playing them like we playing the Golden State when they had Kevin Durant. Every point guard I play, I'm playing Steph Curry. Every shooting guard I'm playing, I'm playing James Harden. Every three-man I'm playing, I'm playing LeBron and KD.
From the very beginning, I had a lot of female role models in music. I would go to shows, and there were always women fronting bands and playing guitar or backing up and playing drums or bass in a band. That probably contributed to my belief in myself to go out and perform for people.
There weren't many black players when I was growing up, and I remember playing and looking up to the ones that were playing.
I started playing baseball and soccer. Those were my sports on the streets and in school when I was growing up. I didn't even start playing basketball until I was 14.
We weren't playing much Dungeons and Dragons, we were mostly playing Magic the Gathering, but very similar. And we would go out in the woods and you felt like you were on these adventures.
I've had a fantastic career playing great parts. In many ways, the colour of my skin has been an asset because I've been asked to play certain roles as a result. I don't apologise for playing them anymore than Robert de Niro is sorry for playing American-Italians.
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