A Quote by Joyce DeWitt
I started on the stage when I was 13 and I consider the stage my home.
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I got on stage and I went, "Oh wow. No stage fright." I couldn't do public speaking, and I couldn't play the piano in front of people, but I could act. I found that being on stage, I felt, "This is home." I felt an immediate right thing, and the exchange between the audience and the actors on stage was so fulfilling. I just went, "That is the conversation I want to have."
For me, someone like the Eddie Murphy character doesn't live anywhere; he lives on a stage and when he's not on the stage he's on a bus getting to the next stage. You don't really want to see him at home, or all those things you can do in the movie.
Just giving the people a great show, leaving it all on the stage. Like when I'm finished I don't want to go home with nothing, I want to leave it all there on the stage, that's what I'm thinking about before I hit the stage.
I'm on stage 13. I'm at that can't-be-replaced stage. The transformation I've been through personally with my wife is amazing, but having two girls and a boy, man, that's the painful stuff.
I started by doing a little funny story, and then I started going to open mics. I realized I had a lot of work to do - you have to get over the stage fright and get your stage presence up. It took me some time, but I finally feel that I'm at a point where I feel comfortable on stage and giving my point of view.
We are fast approaching the stage of the ultimate inversion: the stage where the government is free to do anything it pleases, while the citizens may act only by permission; which is the stage of the darkest periods of human history, the stage of rule by brute force.
Recording at home enables one to eliminate the demo stage, and the presentation stage in the studio, too.
In my career, I've had kind of a strange trajectory as an actor. I started out doing movies and theater and stuff, but then I had a terrible problem with stage fright as an actor on stage, and I quit stage acting for a long, long time.
Every time I go out on a stage I consider myself very lucky. Because, in a time where people are economically thinking about what to go and see - so, when I am on a stage, and it doesn't matter where I am, that's my favorite show. I come home after and say "That was my favorite show".
I grew up doing stage work as a child and as a teenager, so the stage is my home where I feel most comfortable.
My roots are on the live performing stage, so while I enjoy making films and the other things that I do, when I get on stage, I feel at home; I'm comfortable.
I would love to do Broadway. That was my original aim, when I first started acting when I was 13. I wanted to do stage; I wanted to do musicals.
Morality is a venereal disease. Its primary stage is called virtue; its secondary stage, boredom; its tertiary stage, syphilis.
I started in community theater at 7 years old. I loved being on stage and performing. At the time, I didn't correlate that the stuff I was doing on stage was the same thing that I was watching in my favorite films.
Each department of knowledge passes through three stages. The theoretic stage; the theological stage and the metaphysical or abstract stage.
The normative theoretical claim that a higher stage is philosophically a better stage is one necessary part of a psychological explanation of sequential stage movement.
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