A Quote by Joyce DiDonato

I'm a mezzo-soprano, so the whole diva thing... I'm not the kind of performer who puts on a persona off-stage as well, and the days of arriving with steamer trunks and hat boxes are over.
I wasn't the best in my class at the Royal Academy. There was a really good soprano and baritone who were technically better and are doing really well in opera now. But I was definitely the best mezzo-soprano in my class, because I was the only one of those!
I am not a diva: I am a Jones. 'Diva' is so overused. Diva, icons, the whole thing, legends... To be a diva, what is that?
I think I have got a peculiar voice really, it neither one thing nor the other. It's not a contralto and it's not a mezzo soprano; it's a nothing voice really.
I trained at a conservatory as a mezzo-soprano and was a musical theater major in college so I had a theater background.
I wear a hat on stage so that people won't be blinded by the reflection from my head. Also, if I don't wear a hat, there's no way that the hat can be at that level by itself on the stage.
That term's definitely got a negative aura to it, because people think a diva is somebody with an attitude who demands things all the time. Of course there is that type of diva, but my idea of a diva has always been a singer - whether male or female - who gets on that stage and captivates you with their presence and their voice.
Well, my whole thing is that I'm kind of like a show-off!
If you go on stage, or on TV, then there is an impetus that comes about to be a persona. A completely different character. But when you're someone like me, you don't want to have a persona. I want to be exactly who I am on stage.
[Gord] Downie has become more animated than the early days, but he's still the same charismatic performer. And as a whole, that band is really the result of each individual member. If one member was not a part of it, it wouldn't be the Hip. They're all crucial to the whole thing.
I'm not one of the people who has a kind of scholarly hat and writes in a certain way for an academic audience and then puts on a public intellectual hat and writes a different way for a different kind of readership. I generally write the way I write, no matter what and it seems to have worked for me.
Being a Diva is not easy. We are on the road 300 days a year. We don't get a lot of family or personal time. With 'Total Divas' on top of that, on our days off, we have the cameras following us, and that's not for everyone.
When what we see catches us off guard, and when we write it as realistically and openly as possible, it offers hope. You look around and say, Wow, there's that same mockingbird; there's that woman in the red hat again. The woman in the red hat is about hope because she's in it up to her neck, too, yet every day she puts on that crazy red hat and walks to town.
Hey, look at this guy Kenny G. with his thing, walking up and down the aisles of the concert hall and running off the stage and playing the same time. It's old hat!
Tipping your hat to a lady is good form. If you're at a dinner table, you'd most certainly take your hat off - cowboy hat, baseball hat, or otherwise.
I don't have the ability to be a diva. I can't flaunt. I don't have that kind of stage presence. I think of myself as just a band member.
I'm a Gemini, so there's two people in me. Straight up. There's the nerd who is totally zoned out in the studio, EQ-ing this kick drum, raising this snare one decibel, or swapping this high hat out for another. Then there's the other side who's a performer. I have to go out on stage and be electric, a fire cracker, just run around the stage and give a show.
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