A Quote by Joyce Johnson

Jack Kerouac did what he most wanted to do. He wrote great prose. He became the writer he wanted to be. — © Joyce Johnson
Jack Kerouac did what he most wanted to do. He wrote great prose. He became the writer he wanted to be.
Dad and Mom were frustrated artists - Dad wanted to study engineering or architecture and Mom wanted to be an actress - but the world was a different place when they were young so Dad became a public works foreman and Mom became a stay-at-home mom. When I said I wanted to be a writer, they were thrilled. They did everything in their power to support me.
When I was sixteen or seventeen, I wanted to be a writer. I wanted to be a playwright. But everything I wrote, I thought, was weak. And I can remember falling asleep in tears because I had no talent the way I wanted to have.
[Jack] Kerouac was writing fiction. What he did when he wrote about me...he made me out with Russian Countesses and Swiss accounts and other things I didn't have or didn't happen and so on.
In high school, I had a teacher there who was really great to me and with whom I finally dared to admit I wanted to be a writer myself, and we did a project where I wrote terrible, 17-year-old fiction. But I remember a couple of the stories. I'd love it if I could read with pride something that I wrote that long ago, but it hasn't happened yet.
I never wanted to write. I just wrote letters home from a kibbutz in Israel to reassure my parents that I was still alive and well fed and having a great time. They thought these letters were brilliant and sent them to a newspaper. So I became a writer by accident.
When I ventured into writing at the age of 17, I wanted to be a good and successful writer. I just wanted to write good stuff - poems, prose, stories, essays, everything.
We had all these famous writers in Sweden and from all over the world home at dinner. I wanted to be a writer, and I wanted to be a highbrow writer as my father. He never, ever read anything like crime novels. He wrote biographies of Dante, James Joyce, August Strindberg and Joseph Conrad.
I attended Art & Design High School, and at one point, you had to write about what you wanted to be when you grew up. I wrote that I wanted to be a writer for 'Mad' magazine.
I did a lot of writing when I was in college, and that's what I thought I wanted to do; saying that I wanted to be a writer seemed more reasonable than saying I wanted to be a musician.
I wanted to do - there was this film called 'Magic' that Anthony Hopkins did. And the director wanted me. The writer wanted me. Joe Levine said no, I don't want any comedians in this.
I was a musician and did moderately well at that. I made an enjoyable living as a very young man, but I think as I became more comfortable and knowledgeable about myself and what I wanted, I moved into acting. I came to it rather late - later than most. I just really wanted to try my hand, and thankfully, it worked out for the most part.
I never really wanted to be a journalist, honestly. I always wanted to be a writer, and I thought the only way to apply that interest was with journalism - when you're young and you want to be a writer, it seems like the most practical thing to do with those types of ambitions.
When 'If God Was a Banker' became a success, it changed my entire perspective. I wanted to write more and wanted to be lot more successful as a writer.
I used to take 'Visions of Cody' by Jack Kerouac on tour all the time. I don't really love Kerouac, but that book, you could just open at any page and find something incredible for that day.
When I first wanted to be a writer, I learned to write prose by reading poetry.
I have known I wanted to be a writer since I was seven-years-old. Seriously. In the second grade I wrote a 21-page story and handed it in to my teacher. She told my mother I was going to be a writer. Since then, I always kept a journal and wrote poetry, plays, stories.
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