A Quote by Joyce Kilmer
At present, I am a poet trying to be a soldier. To tell the truth, I am not interested in writing nowadays, except in so far as writing is the expression of something beautiful ... The only sort of book I care to write about the war is the sort people will read after the war is over - a century after it is over.
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I have to be careful not to visit one place right after the other and write one book after the other. Because I fear writing the same book all over again. That's why I am taking a break and doing something different this time.
The process of writing a book is infinitely more important than the book that is completed as a result of the writing, let alone the success or failure that book may have after it is written . . . the book is merely a symbol of the writing. In writing the book, I am living. I am growing. I am tapping myself. I am changing. The process is the product.
I always tell audiences when I talk about writing: Writing isn't something I do; writing is something that I am. I am writing - it's just an expression of me.
I would like my book to give people insight to the war before and after, but I don't think anyone could read my book and suddenly make up her mind about the war. I want to write for everybody.
I don't write the same book over and over - I think if I did that, I would stop writing. I couldn't write a series with the same character, and I couldn't write a romance novel over and over again that takes place at a different beach every year. That's not who I am.
'Cyberspace' as a term is sort of over. It's over in the way that, after a certain time, people stopped using the suffix '-electro' to make things cool, because everything was electrical. 'Electro' was all over the early 20th century, and now it's gone. I think 'cyber' is sort of the same way.
When you say that after World War I there was a pandemic that killed more people than the war itself, most will say: "Wait, are you kidding? I know World War I, but there was no World War 1.5, was there?" But people were traveling around after the war, and that meant the force of infection was much higher. And the problem is that the rate of travel back then was dramatically less than what we have nowadays.
I am keenly aware that in writing about my mother, I am writing about my aunts' sister, and that in writing about my grandmother, I'm writing about their mother. I know that my honesty about how my view of these people has changed over the years may be painful.
I always find out after the fact that the books I've been writing were actually some sort of therapy, some sort of, you know, self-examination that I had to write the book in order to complete.
Whenever they tell me children want this sort of book and children need this sort of writing, I am going to smile politely and shut my earlids. I am a writer, not a caterer. There are plenty of caterers. But what children most want and need is what we and they don't know they want and don't think they need, and only writers can offer it to them.
I'm so deeply interested in what it feels like to be other people that I get to operate under the illusion when I'm writing fiction that I'm not really revealing that much about myself. But, of course, I am, and I know that I am. And yet there's this sort of membrane that I get to work behind as I write my fiction, and I love it.
I have been a writer since 1949. I am self-taught. I have no theories about writing that might help others. When I write, I simply become what I seemingly must become. I am six feet two and weigh nearly two hundred pounds and am badly coordinated, except when I swim. All that borrowed meat does the writing. In the water I am beautiful.
The secret to writing is writing. Lots of people I know talk about writing. They will tell me about the book they are going to write, or are thinking about writing, or may write some day in the future. And I know they will never do it. If someone is serious about writing, then they will sit down every day and put some words down on paper.
I can't be on the side of any sort of war and I'm not going to be. I am against the war and I am very vocal about it.
It's true, we tend to write about the same thing over and over again because this is our trauma. If I had been in World War II, I might have been writing about D-Day over and over again.
To write more from memory and to be more creative - I think - because I am still writing about Los Angeles but I can't walk out my door and immediately drive to places I am writing about. So I think it has been a very good change for me after 11 books to start writing this way.
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