A Quote by Joyce Maynard

The portrait of my parents is a complicated one, but lovingly drawn. — © Joyce Maynard
The portrait of my parents is a complicated one, but lovingly drawn.
Think lovingly, speak lovingly, act lovingly, and every need shall be supplied.
My parents were complicated people. They had a complicated relationship. My home was very, very complicated.
I'm not drawn to stories that are just sort of fluffy. I'm just not, and I've tried to, and as a kid I was never drawn to them. I always chose complicated.
When you have a godly husband, a godly wife, children who respect their parents and who are loved by their parents, who provide for those children their physical and spiritual and material needs, lovingly, you have the ideal unit.
I'm drawn to damaged, complicated characters.
When complicated characters aren't well drawn, they're boring.
My favorite books have a personality and complexion as distinctly drawn as if the author's portrait were framed into the paragraphs and smiled upon me as I read his illustrated pages.
Your thoughts and actions not only influence your mood, but the moods of all you cross paths with. Thinking lovingly. Do lovingly. Be a messenger for love.
I'm not interested in hiding from the fact that my parents are actors. I'm proud of them! It's very ordinary to pursue a career that your parents do, but when it's in the public eye, it becomes a complicated thing.
The diagram of the house is a portrait of the family, a true portrait, whether it's sad or happy.
A vivid portrait of a teenage girl and her family in disarray. Meredith is a wonderful narrator, witty, feisty, full of yearning, and the story she tells is as complicated as life itself. This is a richly satisfying novel.
We prefer to go deformed and distorted all our lives rather than not resemble the portrait of ourselves which we ourselves have first drawn. It’s absurd. We run the risk of warping what’s best in us
A photographic portrait needs more collaboration between sitter and artist than a painted portrait.
Every portrait that is painted with feeling is a portrait of the artist, not of the sitter.
I've always felt the portrait is an occasion for marks to happen. I've never viewed the portrait as about the sitter. Even when I go to the National Portrait Gallery, I'm not thinking about the sitter; I'm thinking about how the artist chose that color or that highlight. It becomes about the time, place, and context.
When you are doing portraits, you have that intimacy with someone for a few minutes. For a really good portrait, you don't take the portrait - it's given.
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