A Quote by Joyce Van Patten
Life can be difficult sometimes, it gets bumpy. What with family and kids and things not going exactly like you planned. But that's what makes it interesting. In life the first act is always exciting. The second act, that is where the depth comes in.
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In life, the first act is always exciting but it is the second act - that's where the depth comes in.
The first act is the easiest to plot. The second act is always the hardest to plot. Generally a good, you know, sometimes the third act can be difficult because you can get into a rut in the third act - everybody runs to their Corvette, has a chase, and you catch the bad guy.
The first act is writing, the second act is filming, the third act is releasing. If you have to partake in the third act, it hurts the first act of the next one. It's like a prizefight. You get punched.
As I saw my 60th birthday approaching, I thought,What did 60 mean to me? I figured I'd probably live until I'm about 90, which meant that I was at the beginning of what I call my third act. As an actress, I know how important the third act is. It makes sense of the first and second acts. You can have first and second acts that are interesting, but you don't know what they mean. Then a good third act pulls it all together. And so I knew that, because I sat by my father's side over the long months when he was dying.
It's not hard to have a second act. It's just that the second act's not going to be as exciting.
When I was young, I had to choose between the life of being and the life of doing. And I leapt at the latter like a trout to a fly. But each deed you do, each act, binds you to itself and to its consequences, and makes you act again and yet again. Then very seldom do you come upon a space, a time like this, between act and act, when you may stop and simply be. Or wonder who, after all, you are.
In life and business, there are two cardinal sins. The first is to act precipitously without thought and the second is to not act at all.
For me, life is like an act within itself. Everything I do is an act. Where I'm going is an act.
In life and business, there are two cardinal sins, the first is to act precipitously without thought, and the second is to not act at all. Unfortunately the board of directors and top management of Times Warner already committed the first sin by merging with AOL, and we believe they are currently in the process of committing the second; now is not a time to move slowly and suffer the paralysis of inaction.
One of the horribly frustrating things about writing feature films is the rules everyone applies and says, 'You have to do this by the end of the first act and by the end of the second act you must introduce this.' As if there were rules to life or telling a story or the ways things happen, which of course there aren't.
You see we're a country that talks about family values. But we haven't passed anything to help family values since the Family and Medical Leave Act. And the Family and Medical Leave Act was one of the first things I voted on when I came to Congress. It was very thrilling to me, because when my first child was born, I was terrified of being fired. When my second child was born, I was a member of the city council, and in some ways it was easier to respond to 250 constituents than it was to respond to one employer.
I don't think anything I do in life is planned. Sometimes I regret that and I feel like I try to take ahold of the wheel, but I'm also always super excited when things pop up spontaneously and when I'm a little bit out of my depth. I just find that that thrills me.
Personally there is first: imagination; second: the act of writing - and third: the act/act of vocalizing.
In a perfect dream, things would be set exactly the way you would want them. But I think it's more interesting that in real life, things aren't exactly the way you planned.
I'd like to see the first act of Sunday in the Park with George, and the second act of Hamilton. Every day.
TV now, you have to plan it: you structure it for binge watching, meaning you structure the whole season like a three-act play. You have a first act - the first third of the season - second act is the middle third, and you structure it like that.
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