A Quote by Joyner Lucas

Honestly, I started playing the pause game right after the 2015 BET Hip Hop Awards cypher. That's around when pauses really started. — © Joyner Lucas
Honestly, I started playing the pause game right after the 2015 BET Hip Hop Awards cypher. That's around when pauses really started.
Everyone uses grime as a footstool, but imagine Biggie Smalls started doing hip hop, and it started going well, and then he started making RnB: there would be no hip hop!
The fact that I got to do the 'Hamilton' BET Cypher is a totally crazy thing because I've watched the BET Cyphers since it started. I've seen every one. I study them. Because I'm a rapper. It's what you do.
I always say to people that I left hip-hop in '97, meaning that I departed from listening to predominately hip-hop and just started really getting into records from the late '60s, early '70s. And once I made that change, I realized how much great music was made back in the day, and it started to become apparent how much we've lost in music.
But I've been freestyling and messing around with rhyming since I was 13. That's when I really started listening to hip-hop music.
Hip-hop started with street poets with great lyrical skills, and that's what hip-hop has always been about for me.
I didn't really think I was really good, I was just playing the game because I enjoyed playing it with my friends. Then once I started playing organized soccer, parents, coaches and other teammates were telling me to keep going and that I could become something so I started believing it.
There needs to be structures in place to do something about misrepresentation about hip hop. When awards are given out and the media talk about hip hop, they're confused because they haven't done their homework on it so you have a case where there's an award for the most pop song in the world and it's called 'hip hop'.
Hip-hop was started as a very egocentric, testosterone, machismo-driven art form. The way that people are trying to take away that masculinity that is a such an intrinsical part of hip-hop music.
I have the weirdest career in hip-hop, and I say that because I started so young. I started So So Def when I was 17 years old.
Hip hop started in NY so it's important that New Yorkers realise that to talk about NY music and its sound should not be a small-minded conversation. Music is supposed to evolve. It's supposed to be going through changes, it's not supposed to sound exactly the same as what it did when it started. NY hip hop has to be allowed to move on and grow and expand.
I was into hip-hop when I was a teenager. Then I started to look for samples, and I started a long Hendrix period - I liked the drums and the beats.
I got started at a really young age. I was about two years old when I started playing the piano and around seven or eight when I started writing my own chords and putting words together.
A lot of people always see the EDM DJs as button pushers, especially when deadmau5 came up with that term. Well actually I started out as a hip-hop DJ and I won several awards in Holland for my skills.
Notorious B.I.G. was one of my favorites. I started getting into hip-hop around the Bad Boy era.
I started playing from the age of 11-12. I loved the game immediately but started playing the game seriously only in 1993-94.
I've got all of the old school vinyls from the '70s - even further back, like the jazz music in the '40s, '50s, '60s. Then I've got all the '80s stuff underground, hip-hop when hip-hop really first started. The '90s stuff. All of the good stuff, because I'm really into music, and it helps me create new songs now.
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