A Quote by JPEGMAFIA

I think it's important for black people in general to be aware of what's going on and do what you got to work around it. Not bow down to it publicly. — © JPEGMAFIA
I think it's important for black people in general to be aware of what's going on and do what you got to work around it. Not bow down to it publicly.
I like the way black looks. I think I look better in darker clothes. And maybe the fact that I wear black so much makes me more aware of putting people at ease. The black is sort of the bad-guy guise, so I work overtime to make people comfortable.
Our whole life is a fooling around. You can do it because you are not aware of how you waste time, how you waste energy - how life is wasted you are not aware. It is going down the drain. Everything is going down the drain. Only when death comes to you, you may become aware, alert: What have I been doing? What have I done with life? A great opportunity has been lost. What was I doing fooling around? I was not sober. I never reflected upon what I was doing.
I think that's what's - one of the things that is alarming to me is [Donald] Trump, and I think Trump supporters seem to believe, he won, huge upset, full credit to him, and has got the wind at his back. And Republicans on The Hill do want him to succeed, obviously, and they're deferring to him more than they deep down in private sort of wish - want to, but they are going to defer to him publicly for awhile. But I think that is going to run out faster than people think.
I think technology is changing and growing, and the best approach to have is to be self-aware and aware of what's going on around you and also have some idea of who you are and how to make that ever-changing climate work in your favor.
The New Black doesn’t blame other races for our issues. The New Black dreams and realizes that it’s not a pigmentation: it’s a mentality and it’s either going to work for you, or it’s going to work against you. And you’ve got to pick the side you’re going to be on.
If you believe a black cat is bad luck, people think you're crazy, but plenty of times, if I see a black cat down my street, I turn around and go the other way. Even if I'm late. I'll be late for the airport and be in a limo, and if I see a black cat, I'll be like, 'Sir, you have to turn around and go down the next street.'
Always have a black bow, a white bow, a rainbow bow - those bows will match literally just about everything!
There's a lot of black men running around with crazy trauma scars, and they should be going to therapy. They should be sitting down and talking to people. But they can't. If you've got the armor of being a man, and the armor of being a black man, that hyper-masculine thing can make those scars deeper.
The bow tie started off with one of my friends, Kunta Littlejohn. He said if you want to be anybody, you've got to rock the bow tie. I dismissed it at first, but later he told me he had non-Hodgkin's lymphoma, so I decided to wear the bow tie to support him. And as he got better, I came to learn the power of the bow tie.
I suppose our lives need to be more integrated. We have white communities and black communities and white country clubs and black country clubs. It's very important when we integrate ourselves, and it helps us to have a better understanding of the world, to people all over the world and this is the time in history that we have become very aware of how important that is, so I think it's just really-we have to know each other and work together and play together in order to write about each other.
We must face the No. 1 critical issue of our day. It is youth crime in general and black-on-black crime in particular. There is nothing more painful to me at this stage in my life than to walk down the street and hear footsteps and start thinking about robbery. Then look around and see somebody white and feel relieved. After all we have been through, just to think we can't walk down our own streets, how humiliating.
I think... you know, collaboration, in general - no matter movies, television or Broadway - is offering of what you can bring to the table and also fighting what you think the important battles are. Not everything is going to make it in there. Not everything is going to work. You have to collaborate. And you have to be a good listener.
You've got to put interesting people around you; you've got to work with people who are gonna inspire you to take the songs you've written into a completely different direction, because there's nothing more boring than going to the studio and predictably knowing what is going to happen.
I wanted to play roles which offered new ways of viewing black women and black people in general- and I have done that. And I have always, whether I needed to pay the rent or not, I've always turned down roles which I thought were stereotypical. And so when I look at my body of work in that respect, I am really happy. Because I feel my work does say something positive and that was what I always set out to do.
As a black person on the outside, because there's so much black art and so much of black people's work circulating, so many people imitating what black people do, you would think that there'd be more black people on the business side. It didn't cross my mind that every label head, for the most part, is a white guy.
I think that's a really important role that people sometimes forget about, especially with all these newspaper shutting down and having trouble, where are all these stories going to go? I think you have something really great with all those stories waiting to be told, but I just don't know how it shapes up exactly. I don't think there are going to be a lot of newspaper reporters sitting around not writing.
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