A Quote by JPEGMAFIA

I saw Fear perform live at a young age, so I guess you could say I draw from that same energy. — © JPEGMAFIA
I saw Fear perform live at a young age, so I guess you could say I draw from that same energy.
You know what I am going to say. I love you. What other men may mean when they use that expression, I cannot tell. What I mean is that I am under the influence of some tremendous attraction which I have resisted in vain, and which overmasters me. You could draw me to fire, you could draw me to water, you could draw me to the gallows, you could draw me to any death, you could draw me to anything I have most avoided, you could draw me to any exposure and disgrace. This and the confusion of my thoughts, so that I am fit for nothing, is what I mean by your being the ruin of me.
I believe that each of us comes from the Creator trailing wisps of glory. So at this wonderful, young age of 65, I don't know yet what the Lord has for me to do. I try to live up to the energy and to the calling, but I wouldn't dare say I have even scratched the surface yet.
I couldn't draw anything that was too outlandish or too horrible. I never did that. What I did draw was something intriguing. There was something about this monster that you could live with. If you saw him you wouldn't faint dead away.
I went to this club in North Carolina and saw Sharon Jones and the Dap-Kings perform. Just looking at the demographics of the audience, I thought it was interesting. A few weeks later, I was at the same spot to see Talib Kweli perform. And 60-70 percent of the crowd were the same people.
I am so excited to perform; I am so ready to perform; I love live performances! I think it's something so different from a track; live is just so unique and cool because the energy is just so different. I cannot wait to have live performances.
What people say about millennials is the same thing they've said about every generation: Younger people are obsessed with technology, and selfish, and they're lazy, and they live with their parents... Guess what? That's 'cause they're young people!
I find that so many of my peers of my age don't listen to anything new. But I love the new. I love the energy of the new, the energy of the new act. The young are so important. The young give you the energy, and if you don't notice the young, and you don't give them credit and you don't listen to all sorts of music, then you're missing out on something.
I understood from a very young age that school was important and that my parents were making great sacrifices for me. Every morning I saw my father get up and go to a job that he didn't really like. They came to France for the same reasons all immigrants move to another country - so their kids could have a better way of life.
What it is now is basically, I'll sit on my computer; I basically kind of play the computer as an instrument, I guess you could say. I guess I play the Mac. And how it works is, say - I have a program called 'Ableton Live.' And, you know, you'll open it up, and it's just blank. There's nothing there. And then you start.
Most people in politics draw energy from backslapping and shaking hands and all that. I draw energy from discussing ideas.
I am the son of poor peasants who came at a very young age to live in Algeria. I only recently saw the place where they were born, near the city of Marrakech.
Both old and young alike ought to seek wisdom: the former in order that, as age comes over him, he may be young in good things because of the grace of what has been, and the latter in order that, while he is young, he may at the same time be old, because he has no fear of the things which are to come.
I could buy myself paper, a pen, a pencil and a brush and could create pictures whenever and wherever I wanted. ... That evening, in the spring of 1947, on the embankment of the Seine in Paris, at the age of thirty, I saw that it was possible to live and work in the world, and that I could participate in the exchange of ideas that was taking place all around, bound to no country.
I lost my innocence at age eight, so I decided to do the same to as many young girls as I could.
I knew from the age of five what I wanted to do. The one thing I could do was draw. I couldn't draw that much better than some of the other kids, but I cared more and I wanted it badly.
I saw from a very young age the value of clean water in communities in Africa. I made a promise to myself that once I reached a time and place in my career where I could do more, I would.
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