A Quote by JPEGMAFIA

Veteran' is an exercise in editing because there is a lot of moments I took out and some that almost didn't make it. — © JPEGMAFIA
Veteran' is an exercise in editing because there is a lot of moments I took out and some that almost didn't make it.
We have a lot of young players and some veteran players who make you feel good and give you a lot of tips. They always want to make sure you're ready to play.
Well, you always discover a lot in the editing room. Particularly the action, because you have to over-shoot a lot and shoot an enormous amount of material because many of the sequences have to be discovered in the editing and manipulation of it.
I love watching action films, and especially the little moments of wit and humor in the choreography in a lot of them. The editing of an action sequence often has great moments of comic timing.
Some of the best moments I've ever written have come about because someone, somewhere, blew my preconceptions out of the water and dropped a detail in passing that took the work in an entirely new, entirely unexpected, direction.
I don't shoot movies quickly because I get a lot of coverage and a lot of angles, so we have all the pieces in the editing. I do a lot of takes, but it's because I'm looking for something.
Scripts are a house of cards and you can't just reach in the middle and pull out the middle card because the house of cards will fall down. But at a certain point you almost have to allow that house of cards to get knocked down a few times because you need to make it sturdier. How many times do you hear, "No, that doesn't make sense," or "Why would this happen?" That was a mistake. You shouldn't have those moments, because the moment you're knocked out of the story, then you're dead. And all you can go is moment to moment,or joke to joke. And that's gonna wear people out.
Movies get found in the editing room. The movie that you make is not always necessarily the movie that comes out of the editing room. The trick is to perfect the movie that you have and make it the best version of what you've shot, regardless of what the intent may have been.
I've been working professionally as an actor since I was 20. That's going to be 25 years soon. So, that's a veteran. That's a big-time veteran. I've had some great successes, and I've had some not-successes.
Every veteran out there, veteran or rookie, they want to go to the Super Bowl and win it and get the best opportunity.
Ever since 'Strange Heaven,' I haven't really reread my old work. Not so much because I don't like the writer I was, or because I find flaws in the writing, but more because I get so burnt out on a novel once I've finished writing, revising, editing and copy editing it that I genuinely never want to look at it again after it's gone to press.
There's a lot of talent out there with just the normal physique. The 'cross-fit' type physique - that's the new exercise that took over.
My entire twenties were filled with decisions that make me think, 'You had to go there, huh?' But that's part of exploration and I think a lot of the most beautiful moments of my life and a lot of the most amazing things have come out of some of the most tumultuous times.
And we'd had this stupid scene on the street, and even that was kind of cool, because sometimes it's moments like that, real complicated moments, absorbing moments, that make you realize that even hard times have things in them that make you feel alive.
You get moments all the time that kind of make you pinch yourself, some of them make you quite emotional. Winning a BRIT was a big moment because we were just so excited to be at the awards in the first place. Selling out Madison Square Garden was pretty amazing too. Then we woke to the news that our UK tour was sold out. It was crazy.
As a young filmmaker, I shot a lot of stuff because I wanted to make sure that I got everything, but now I've gotten much more precise with my shooting. Editing is a whole other layer because then, sometimes you realize characters don't even need to say this or that. It becomes an issue of exposition, and over-explaining something. In the script, I'd reinforce certain things about what I wanted people to know two or three times, but in the editing room, I'd be like, "I only need to say this once, maybe twice."
[My grandfather -a miner] had black lung, and he didn't talk about it much. It's almost like a combat veteran. But he witnessed some horrific things.
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