A Quote by JR

Even when I do really big pieces, I do them strips by strips - so you have to paste, you have to involve people. It's a whole process. And I like that. For me, that's where the artwork is.
I like Xtreme Sour Strips. These really colorful little strips that are so good. I like snacking on them. They're not healthy for you, though!
In general, daily strips were just a regular part of my childhood. So even if I wasn't a huge fan of most of those strips, I still read them religiously every morning while I ate my cereal.
I think in daily newspapers, the way comic strips are treated, it's as if newspaper publishers are going out of their way to kill the medium. They're printing the comics so small that most strips are just talking heads, and if you look back at the glory days of comic strips, you can see that they were showcases for some of the best pop art ever to come out.
I always have my Biore strips because they're fun. I always have Crest White Strips. I always have lip balm, and I'll bring concealer with me.
Think of the aged and bed-ridden Matisse cutting out strips of coloured paper, much as a child might, and investing them with a more than mortal vitality... Those strips of paper resonate because they prove that our materials don't determine in advance the worth of what we make.
My parents read the comics to me, and I fell in love with comic strips. I've collected them all of my life. I have a complete collection of all the "Buck Rogers" Sunday funnies and daily paper strips, I have all of "Prince Valiant" put away, all of "Tarzan," which appeared in the Sunday funnies in 1932 right on up through high school. So I've learned a lot from reading comics as a child.
Mothers send strips to daughters to make a point. Daughters smack strips down on the breakfast table to make a point. My own mom sometimes cuts a strip out and sends it to me to make sure I understand her.
I think the corporate world is pretty starved for personality. The reason you have comic strips like 'Dilbert' and sitcoms like 'The Office' is that people just can't be genuine human beings in a corporate environment. So if you can really be your own self, even if it's a little bit different, I think people are really drawn to that.
Humor strips dominated what were called the funny papers early in the century, but by the 1920s and '30s, adventure strips had taken over. With 'Beetle Bailey,' I revived the funny part of the funny papers, and I'd be proud to be remembered for that.
I can't even look at daily comic strips. And I hate sitcoms because they don't seem like real people to me: they're props that often say horrible things to each other, which I don't find funny. I have to feel like they're real people.
Anorexia is a response to cultural images of the female body - waiflike, angular - that both capitulates to the ideal and also mocks it, strips away all the ancillary signs of sexuality, strips away breasts and hips and butt and leaves in their place a garish caricature, a cruel cartoon of flesh and bone.
The pore strips have always been a staple for me. I like products where you can really feel like it's working, and of course you can see all your blackheads getting ripped out.
I notice a lot of people think they can solve their problems with antidepressants. That, I noticed, being like a bigger issue, like, it really strips people of who they are. Like, all your quirks and all your problems, even your depressions and your failures, that's what makes you, you. And there's a lot of drugs out there that will take that away from you.
My life is like a series of comic strips, which is why I like investing: I really like new stuff.
People think that whatever I put into strips has happened to me in my life.
The real art is in the street, is making the artwork, and for that you have to involve people. The action is actually the artwork.
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