A Quote by J.R. Ward

I am barren of words. For no sounds from my mouth are worthy of your hearing — © J.R. Ward
I am barren of words. For no sounds from my mouth are worthy of your hearing
They sang the words in unison, yet somehow created a web of sounds with their voices. It was like hearing a piece of fabric woven with all the colors of a rainbow. I did not know that such beauty could be formed by the human mouth. I had never heard harmony before.
Barren, barren and trivial are these words. But not barren the experience.
I can hear you and I can watch your mouth move, and then I put together the sounds and the visual image and I can understand the words as I integrate the two signals.
I can hear you and I can watch your mouth move, and then I put together the sounds and the visual image, and I can understand the words as I integrate the two signals.
Learning how to discipline your speech is a way of preventing your energies from spilling out of you through the rupture of your mouth, exhausting you and filling the world with words, words, words instead of serenity, peace and bliss.
We can all mouth the words that every human is fundamentally worthy, but we don't act like it. We don't even believe it about ourselves.
It seemed to me that I now saw the Star Maker in two aspects: as the spirit's particular creative mood that had given rise to me, the cosmos; and also, most dreadfully, as something incomparably greater than creativity, namely as the eternally achieved perfection of the absolute spirit. Barren, barren and trivial are these words. But not barren the experience.
Several times a day, stop and just listen. Open your hearing 360 degrees, as if your ears were giant radar dishes. Listen to the obvious sounds, and the subtle sounds?in your body, in the room, in the building, and outside. Listen as if you had just landed from a foreign planet and didn?t know what was making these sounds. See if you can hear all sounds as music being played just for you. Even in what is called silence there is sound. To hear such subtle sound, the mind must be very quiet.
A line runs from the meditations of the heart to the words of the mouth. The meditations are not clear to us until the mouth utters its words. If what the mouth utters is unclear or foolish or mendacious, it must be that the meditations are the same. But the line runs both ways. The words of the mouth will become the meditations of the heart, and the habit of loose talk loosens the fastenings of our understanding.
A single word that can be offensive to someone is a horrible thing for anyone who has iman. In other words, filthy language out of your mouth and faith inside your heart cannot coexist. You cannot have iman in your heart and ugly words come out of your mouth. If you have no control over whatever four letter words you keep using every time you get frustrated, there's a spiritual problem, it's not just a habit problem. How can you use a terrible word for anyone who has iman?
I grew up hearing words like snakeroot, sassafras, mullein - things that had wondrous, mysterious sounds in their names.
I am producing sounds that people are not used to hearing from the harp.
We are no longer the same after hearing certain sounds, and this is more the case when we hear organized sounds, sounds organized by another human being: music.
I always say that to compose is to think. Playing is good, it's useful, but it's how your intellect puts the ideas together that will bring hands to write or to play. So, it's really a combination of many things; hearing sounds, hearing layers of counterpoints, of chords.
People are so afraid of hearing "No" that they often don't even try. You have nothing to lose by just asking! A good friend of mine once told me, "Harv, a closed mouth won't get fed." Open your mouth! Say something if negotiations aren't going the way you'd like.
The secret to writing sound effects is having a room you can be alone in, trying to make the sounds yourself, and seeing what comes out. It's similar to if you're writing a character talking with their mouth full: the only way I know to transcribe that is to stuff my fist in my mouth and write down what sounds I make when I try to talk.
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