A Quote by J.R. Ward

Conflict is the microscope of a book. When it's trained on a character, you see what's underneath the narratives of physical description. You see whether someone is strong or weak, principled or apathetic, heroic or villainous." (J.R. on writing the BDB series)
But the quality of writing in the series [game of Thrones] is paramount. That's probably why all of us are involved in this and all of us are quite so loyal to it, because we don't have to expend a lot of energy trying to make a silk purse out of a pig's ear. The quality of the writing is really good, and that's what makes playing a character so enjoyable, whether he's heroic or villainous.
I think people are tired of just, this kind of continuous conflict. They want to see principled problem-solving.
You don't encounter anyone who is not hero or villain of their own story. If it's man vs. self, you have to explore the ways each character is villainous and heroic.
People are deeply interested in rewriting the established narratives and challenging what we see as the norm in every way. We want to see a new definition of beauty and sexy. We want to see different people look vulnerable and show strength and redefine what it means to be strong.
We always see Aung San as a strong, tough woman. There are two stories running in parallel. You see the contradictions between the East and the West, and you see someone who does mundane and normal things - someone who's supposed to be a housewife - and then someone who's become important and imprisoned.
Writers shouldn't fall in love with their characters so much that they lose sight of what they're trying to accomplish. The idea is to write a whole story, a whole book. A writer has to be able to look at that story and see whether or not a character works, whether or not a character needs further definition.
I wonder how I seem to them. They must see someone I don't see. Someone capable and strong. Someone I can't be; someone I can be.
If we live truly, we shall see truly. It is as easy for the strong man to be strong, as it is for the weak to be weak.
I love doing a series because you get to see changes in a character and see her grow. It's a journey with change, and you don't get to see that long-term type of development with just a film.
If you?ve got physical weaknesses, you?ll lose. Nobody who gets cut easily can be a champion, however strong and talented he is. Boxers are trained to see and exploit their opponents? weaknesses, they hit you on your wounds. Only the strongest survive in this sport.
I like writing about women, weak and strong, pathetic and heroic. I like writing about men, ditto. And all the variants of men and women, beasts and demons.
Let us have compassion upon each other, and let the strong tenderly nurse the weak into strength, and let those who can see guide the blind until they can see the way for themselves.
I was extraordinarily lucky. I wrote a book because I wanted to see if I could write a mystery. Someone nagged me into sending it to a contest, which it won, after which I was offered a two-book contract, thus requiring the writing of a second book.
I think any time you allow someone to see themselves reflected in another person on screen, there's validation there. It's hard to feel strong and sure of yourself when you're 15, but if you can turn on your television or computer and see someone who makes you feel like, 'I can be that strong...' there's validation there.
I first heard the term "meta-novel" at a writer's conference in Tulsa, Oklahoma. The idea is that even though each book in a series stands alone, when read collectively they form one big ongoing novel about the main character. Each book represents its own arc: in book one of the series we meet the character and establish a meta-goal that will carry him through further books, in book two that meta-goal is tested, in book three - you get the picture.
I suppose the textbook definition of an anti-hero is pretty straightforward - a protagonist who embodies not only heroic characteristics but also some characteristics typically deemed non-heroic, even villainous.
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