A Quote by Juan Antonio Samaranch

The 'movement' is paramount, the concept of 'family' is the symbol we wish to project. — © Juan Antonio Samaranch
The 'movement' is paramount, the concept of 'family' is the symbol we wish to project.
In less than a century we experienced great movement. The youth movement! The labor movement! The civil rights movement! The peace movement! The solidarity movement! The women's movement! The disability movement! The disarmament movement! The gay rights movement! The environmental movement! Movement! Transformation! Is there any reason to believe we are done?
Since the design of the movement is paramount, shape, for me, should have no significance.
What I look for in a project or partner is integrity and character; I love the concept of family entertainment and crosses over the generations, where you can sit kids with their grandparents and everyone has a good time. Those are the qualities that I want to bring to viewers.
The 'Occupy' movement seems to have found a central theme to its 2012 movement around overturning 'the corporation as a person,' and some legislators are supporting that concept.
I had been a basketball fan growing up, and I felt that if we brought in the proper coach, and we played basketball the old fashioned way - where defense is paramount and offense involved movement off the ball and movement of the ball - we could build a winning team, and Chicago would respond to that.
My family is more a sports family, and I figure skated for a very long time, so movement and how I relate to movement is very integral to my process.
I wish that I had bridged the feminist movement and the anti-war movement better than I did.
In 1978, when I thought of creating a flag for the gay movement, there was no other international symbol for us than the pink triangle, which the Nazis used to identify homosexuals in concentration camps. Even though the pink triangle was and still is a powerful symbol, it was very much forced upon us.
It is paramount that we take control of the story behind our movement, which is that we seek equality for all Americans, no matter their race or gender.
The Cinquecento was an engine of motivation at Fiat. It refurbished the image of the entire company. It's a symbol for the company, but it's more than that. It's a global Italian symbol, as Mini is a global British symbol and the Beetle is a global German symbol.
It depends on the project, what's happening that day on the project, at what stage were in on the project; it various from project to project and where we're needed.
When I was a kid I used to scoot under the table, and whenever company would come around you know or my sisters or parents would tell me, go under the table and I'd do it because it was entertainment for the family or aunts or whatever. And one time at the Paramount when I first did it, you know, Brooklyn Paramount, I did it in the act during an instrumental and it got a big ovation and so I coined it as one of the things I should do in the act. And since I've been doing it.
I value my family more than anything. That's always paramount.
I think most people know the concept of difficult family situations. So I try to just ground a very big concept in something we can all relate to on some level.
Every symbol, word, concept, discipline and field is only a temporary rest stop on the highway of discovery.
I don't wish to be the symbol of anything. I'm only myself.
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