A Quote by Juan Enriquez
One of the things that really worries me, in part about Mexico, in part about Latin America, and in part about the Hispanic population in the U.S. and Canada. It's the lack of awareness of this whole science world.
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Then you learn about composition, you learn about old masters, you form certain ideas about structure. But the inhuman activity of trying to make some kind of jump or leap, where , the painting is always saying, 'What do you want from me? I can only be a painting.' You have to go from part to part, but you shouldn't see yourself go from part to part, that's the whole point.
My Latin roots are very strong. All my life, because I'm blonde and blue-eyed, people who aren't Hispanic can't believe I am. And people who are Hispanic always think I'm not, because I don't look like them. Being Latin is part of who I am and I bring that part to every role.
Remember what I said about the mosquitoes?" "Which part" asked Maggie. "The scary part, the really scary part, the legitimately terrifying part, or the part that makes suicide sound like an awesome way to spend the evening?
I've got a reason for running. I talk about a larger goal, which is to call upon the best of America. It's part of the renewal. It's reform and renewal. Part of the renewal is a set of high standards and to remind people that the greatness of America really does depend on neighbors helping neighbors and children finding mentors. I worry. I'm very worried about, you know, the kid who just wonders whether America is meant for him. I really worry about that.
I have, my whole life, been healing the girl inside, the part of me that struggles about being a female in the world. That's why I write about the things I write about.
Part of what's great about America, and Canada as well, is that we can talk about our political leaders in public.
I feel like I've always had two selves - the part of me that makes films and the part of me that's political, and they haven't really connected that much. Alias Grace talks about things like class and immigration and women's rights, which felt really good. But especially now, there are pressing things to be said. It's a really scary time in the world. It's a very scary thing to have an American president who openly brags about assaulting women and is openly racist. This isn't a moment to be speaking in metaphors.
You really have to get out of an actor's head to write because actors only care about their part and it revolves around their part so "This is the important part because this is the part where..." .
Part of me worries about upsetting people, because we all have perceptions about Olympic champions.
Mexico is becoming the northern part of Latin America, not the U.S.A.'s southern outpost.
I don't see any division between the comic and the tragic. I feel like I'm writing about serious things, and humour is one of my tools. It's not contrived, just part of my world, part of the way things are to me.
One of the things I always underscore when I teach criticism is that young critics, or would be critics, frequently have this illusion that if they write about music they're somehow part of music, or if they write about movies they're part of movies, or of they write about theater they're part of theater, or write about literature. Writing is a part of literature, we belong the species of literature. If you add all the music reviews together that have ever been written, they don't create two notes of music.
I always talk about shooting being broken down into three things. You have to have some semblance of good form. The second part is repetition: doing things over and over again until you really develop a skillset. And then the third part is confidence. But for me, you can't have confidence without having that second part.
Our whole goal is really to create a culture of accountability. Because for a very long time, ending sexual assault has been on the backs of survivors. And it's really up to everyone to be part of the solution. It's really about not creating a culture of awareness. It's something I often tell parents of kids who are going off to college: It's about asking those hard questions when your kids are applying to school and encouraging them to ask about their rights, to ask about their resources.
Part-black generally means all-black in Americans' minds. Just as part-Asian or part-Hispanic or part-anything-else usually puts individuals in those minority-groups' camps.
We used to call the 1% the ruling class, but America's never felt comfortable using that terminology. It was taboo to talk about class war. Americans are okay talking about it like this; everyone wants to be part of the 99%, even the cops are like, "No, no, man. I'm part of the 99% too." No one wants to be part of the 1%.
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