A Quote by Juan Felipe Herrera

I'm very grateful to all the people of Fresno, to Philip Levine and all the poets before me, and all the farmworkers. I didn't get here by myself. — © Juan Felipe Herrera
I'm very grateful to all the people of Fresno, to Philip Levine and all the poets before me, and all the farmworkers. I didn't get here by myself.
My heroes are people like Philip Levine, who is simply like a god to me, as a writer. And he is a very good man, too.
Fresno is an All America city and deserves real, honest, strong leadership and I pledge to the people of Fresno to be that kind of leader.
I'm passing on a tradition of which I am part. There's a long line of poets who went before me, and I'm another one, and I'm hoping to pass that on to other younger, or newer, poets than myself.
People do want to see themselves reflected. They'll never believe that Gwen Graham, Philip Levine, Chris King, or Jeff Greene will be a better representative of their interests than I will be.
Throughout his work, Philip Levine's most powerful commitment has been to the failed and lost, the marginal, the unloved, the unwanted.
My new music video, 'My Life' featuring Eminem and Adam Levine, the only person in the actual video who you can physically make out besides myself and Adam Levine is Andre Dirrell.
Escape plan number seventeen," I told her. "Run away and open a juice stand in Fresno." "Why Fresno?" "Sounds like the kind of place people drink a lot of juice.
I go to Yosemite a lot. To get there, you fly from L.A. to Fresno and rent a car. So I know about Fresno. It looks like the entire city was built in 1946 in three months - all these low California ranch style homes. The whole city looks like that.
I started moving away from poets like Wallace Stevens and Hart Crane and started reading poets like, again, Karl Shapiro, Howard Nemerov, Philip Larkin, and the British poets who were imported through that important anthology put together by Alvarez - and those would include Thom Gunn and Ted Hughes. And I think these poets gave me assurance that there were other ways to write besides the rather involuted style of high modernism whose high priests were Pound, Eliot and Stevens, and Crane perhaps.
I like the financial security because I know how hard it is for so many people who struggle to earn a living. I'm grateful I don't have to worry about money and I can live very freely and do something I love and get paid very well to do it. I tell my friends to slap me if they ever think I'm getting full of myself.
I've never seen myself as a spokesperson. I've always seen myself as a worker and am very grateful for the trust that my own people have given me over the years.
Acting helped me as I was growing up. It helped me learn about myself, helped me travel, helped me understand life, express myself, all those wonderful things. So I'm very, very grateful; it's a fun job. It's a luxury.
When I was learning to write I was surrounded by poets; Brian Blanchfield and Annie Guthrie were always with me as I was learning. I'm so grateful for the poets in my life. Because of them I always knew the importance of each word, line.
In the world of poetry there are would-be poets, workshop poets, promising poets, lovesick poets, university poets, and a few real poets.
I'm grateful for my health, glad I'm making people laugh, glad my wife still likes me after a lotta years, grateful my daughter is growing, glad I don't take myself too seriously, glad L.A. has Astro Burger, grateful to be coming home to Harlem soon. It's a gratitude list. It works.
To be very fair, it was Ian Marsh and Martyn Ware who started The Human League. They brought Philip Oakey in to sing, primarily because Philip was very tall. So it started out as their vision. I don't think anyone ever thought it would be as big as it became. Music evolves and people were looking for something different. We came out at the right time and were just very lucky.
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