A Quote by Juan Goytisolo

Marks of Identity is, among other things, the expression of the process of alienation in a contemporary intellectual with respect to his own country. — © Juan Goytisolo
Marks of Identity is, among other things, the expression of the process of alienation in a contemporary intellectual with respect to his own country.
The whole point is to take from our native culture and from contemporary culture without using one art form to mimic the other, so that our native identity remains the native identity, the contemporary identity remains the contemporary identity, and the mixing of these two musical identities creates a third musical identity.
Among the other values children should be taught are respect for others, beginning with the child's own parents and family; respect for the symbols of faith and the patriotic beliefs of others; respect for law and order; respect for the property of others; respect for authority.
The culture and educational system of the contemporary West are based almost exclusively upon the training of the reasoning brain and, to a lesser degree, of the aesthetic emotions. Most of us have forgotten that we are not only brain and will, senses and feelings; we are also spirit. Modern man has for the most part lost touch with the truest and highest aspect of himself; and the result of this inward alienation can be seen all too plainly in his restlessness, his lack of identity and his loss of hope.
Anthropology has always struggled with an intense, fascinated repulsion towards its subject.... [The anthropologist] submits himself to the exotic to confirm his own inner alienation as an urban intellectual.
When the Irishman is found outside of Ireland in another environment, he very often becomes a respected man. The economic and intellectual conditions that prevail in his own country do not permit the development of individuality. No one who has any self-respect stays in Ireland, but flees afar as though from a country that has undergone the visitation of an angered Jove.
Remember, I'm the guy who didn't want the referendum - I wouldn't have had it if I'd been prime minister. But you have to respect how people voted because this was partly about political alienation, so if the response to political alienation is to ignore it, that's a recipe for more political alienation.
I think as an actor... I don't like to compare a character to anybody else, just because I respect other people's work, and I want that character to have his own identity.
The duty of man is the same in respect to his own nature as in respect to the nature of all other things, namely not to follow it but to amend it.
Just as the orator marks his good things by a dramatic pause, or by raising and lowering his voice, or by gesture, so the writer marks his epigrams with italics, setting the little gem, so to speak, like a jeweler.
Democracy in the contemporary world demands, among other things, an educated and informed people.
I have spoken all over the world and I have great respect for Muslims, I have great respect for the African people, I have respect for the other races. Even back home in Lousiana, I'm called a racist, but I have respect for the Black people of my country and I want them to have their own life, too, and I want them to be able to pursue their own destiny and not be controlled, and not be damaged.
A prophet is not without honor except in his own country among his own people.
Rebecca Goldstein is a rare find among contemporary novelists: she has intellectual muscle as well as a tender emotional reach.
Donald Trump is many things - a tantrum-throwing man-child and a wannabe strongman pining for his very own banana republic among them - but perhaps most of all he is a giant, melon-colored distraction from what is happening to our country under his watch.
Painting is something that takes place among the colors, and one has to leave them alone completely, so that they can settle the matter among themselves. Their intercourse: this is the whole of painting. Whoever meddles, arranges, injects his human deliberation, his wit, his advocacy, his intellectual agility in any way, is already disturbing and clouding their activity.
The artistic formulae wear thin quickly and yet daily the artist - when developing his own foundation - must enter his own time and the problems of other contemporary artists. Paths cross and the soil of time is starting to be turned.
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