A Quote by Juan Gris

I try to make concrete that which is abstract. — © Juan Gris
I try to make concrete that which is abstract.
Evil is the product of the ability of humans to make abstract that which is concrete.
The ABC of our profession is to avoid these large abstract terms in order to try to discover behind them the only concrete realities, which are human beings.
When needs and means become abstract in quality, abstraction is also a character of the reciprocal relation of individuals to oneanother. This abstract character, universality, is the character of being recognized and is the moment which makes concrete, i.e. social, the isolated and abstract needs and their ways and means of satisfaction.
We speak of concrete and not abstract painting because nothing is more concrete, more real than a line, a color, a surface.
I like connecting the abstract to the concrete. There's a tension in that. I believe the reader or listener should be able to enter the poem as a participant. So I try to get past resolving poems.
I like using concrete imagery, but I don't feel that's what it's about. It's a combination of concrete and abstract to take the listener somewhere they know better than you. That's true for music, seeing a painting, watching a movie... it's all some kind of an escape.
To me, a story can be both concrete and abstract, or a concrete story can hold abstractions. And abstractions are things that really can't be said so well with words.
Compared with men, it is probable that brutes neither attend to abstract characters, nor have associations by similarity. Their thoughts probably pass from one concrete object to its habitual concrete successor far more uniformly than is the case with us. In other words, their associations of ideas are almost exclusively by contiguity. So far, however, as any brute might think by abstract characters instead of by association of con cretes, he would have to be admitted to be a reasoner in the true human sense. How far this may take place is quite uncertain.
From the point of view of art, there are no concrete or abstract forms, but only forms which are more or less convincing lies.
The abstract kills, the concrete saves.
Painting is an essentially concrete art and can only consist of the representation of real and existing things. It is a completely physical language, the words of which consist of all visible objects. An object which is abstract, not visible, non-existent, is not within the realm of painting.
Whitman was Emerson translated from the abstract into the concrete.
Life holds many, many, many mysteries, abstract things we all think about. In a film when things get abstract, some people don't appreciate that and they want to leave the theater. Others love to dream, get lost, try to figure things out. I'm one of those people. I like a film, a story that holds concrete things but also abstractions. So when ideas come along that have those things, I'm falling in love and going to work.
There is plenty of courage among us for the abstract, but not for the concrete.
In the abstract conception of universal wrong, all concrete responsibility vanishes.
Every concrete object has abstract value, is timeless in the dream parallel.
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