A Quote by Juan Jose Padilla

I feel obligated to offer the audience a good fight, and I have a responsibility to entertain the fans. But I also can't make the mistake of underestimating that bull. I would be stupid if I did. No matter how well prepared I am for a bullfight, I never know what will happen in the ring. I don't know how the bull will react and whether he'll give me an opportunity to display my skills. Perhaps he'll be too stubborn for that. And then there's also the wind that makes me afraid. It's a torero's greatest enemy.
You made me confess the fears that I have. But I will tell you also what I do not fear. I do not fear to be alone or to be spurned for another or to leave whatever I have to leave. And I am not afraid to make a mistake, even a great mistake, a lifelong mistake and perhaps as long as eternity too.
You never know how a film will play, whether it will be successful or not, or whether it will touch the audience. I always said to myself that whatever happens, big audience or small, that I would not let the results have an impact on my way of working. But it would be a bit silly for me to change my methods when I have a big success. That means my methods work well.
In fighting a bull you're always aware of a paradox concerning your perceptions of the bull. On the one hand it's your perceptions of the bull that give you the upper hand. You read the bull, you learn to read the bull more and more accurately, and this reading of the bull is how you deploy your intelligence against the bull's intelligence. Your accuracy in reading the bull is a weapon, maybe your most important weapon, against all the bull's weapons. On the other hand, you're human, you have the human tendency to read into the bull things which may not actually be there.
Well, I was thinking this very thing. I was thinking: I am going to die today, but Jesu also died, so he knows how it is with me. And I was thinking, would he know me when I came to him? Yes! Sitting in his hall, he will see me sail into the bay, and he will run down to meet me on the shore; he will wade into the sea and pull my boat onto the sand and welcome me as his wayfaring brother. Why will he do this? Because he too has suffered, and he knows...HE KNOWS...Is that not good news?
I really try to avoid, you know, rolling out the history. The people are so important to me, and what happens to them, how they react, how things happen to them, this is what is important. I feel that if I can tell THAT story well, then people will go and Google the rest and fill in what they need to know.
A Spaniard will seek to persuade you that the bull-ring is an institution got up chiefly for the benefit of the bull.
How did it happen that an enlightened country like Germany was pulled into Nazism? That question has occupied me since 'The Tin Drum,' my first book. The story also shows that we can never know how a person's life will unfold; there is no guarantee that a person will do what is right and avoid what is not right.
I will never take the fact that I am Welterweight Champion for granted. I learnt my mistake in the past. No matter how great, no matter how people tell me how great I am, I'm always one mistake away from losing everything.
The Lord did not make me impossible of error. All I've had to offer you is the total dedication in serving you as best I know how. And I've always leveled with you, and always will, knowing full well that everyone will not agree with me.
I know where my heart is and I know that I can make people feel something with my music. I'm quite confident in what I am doing, so if I can also make a song that people want to put in ten times during a party and makes them happy, then I think that is also good. I feel that playfulness is something that has entered my life a lot more in the last couple of years. I'm not taking everything too seriously. I think that is something that comes with age - I hope. I feel that music is much more fun for me than it has ever been.
A picador is the guy in a bullfight who helps make sure the matador doesn't get killed by distracting the bull. That's what TV writing is. You're just distracting the bull long enough to stick around for the next set of commercials.
I wrestled a bull on national TV for months. A midget dressed as a bull against another midget. You can't take it that seriously. So, every opportunity I'm given I think, 'How can I make this fun?'
Tell everyone you know: "My happiness depends on me, so you're off the hook." And then demonstrate it. Be happy, no matter what they're doing. Practice feeling good, no matter what. And before you know it, you will not give anyone else responsibility for the way you feel-and then, you'll love them all. Because the only reason you don't love them, is because you're using them as your excuse to not feel good.
In bullfighting there is a term called querencia. The querencia is the spot in the ring to which the bull returns. Each bull has a different querencia, but as the bullfight continues, and the animal becomes more threatened, it returns more and more often to his spot.As he returns to his querencia, he becomes more predictable. And so, in the end, the matador is able to kill the bull because in.
I will fight for you, yes, and you will fight for me. And if you have sacrificed joy and courage and beauty and wisdom for my sake, I will give them all to you again; and yet you must also give them to me, for they are things in which without you I am wanting. But together we can make them.
I hope that people will get to know me and give me the opportunity to get to know them and just respect what I'm doing because I respect how they feel and their thoughts as well.
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