A Quote by Juan Martin del Potro
When you don't have that confidence to play three, four hours with a good backhand against Rafa, is just matter of time to get down your game.
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I'm a huge tennis fan, so the game I play the most is 'Top Spin.' You really have to know how to play tennis to get good at this game - whether you want to hit a forehand or a backhand, when's the best time to hit a slice - it's so real.
Whenever you play against Fred - we certainly did it - you let him get it because he has to take three or four touches. He doesn't know how to do one or two touches. Anyone that watches his game, he gets it facing the wrong way, turns, turns, chops, chops and he'll give you the ball three or four times a game.
When you play against Rafa, you have to play two hours and 40, 45 minutes.
I write in the mornings, two or three hours every day, and then at least four times a week I play in a duplicate game at a bridge club. I try to go to tournaments three, four, or five times a year.
This is what happens: somebody—girl usually—got a free spirit, doesn't get on too good with her parents. These kids, they're like tied-down helium balloons. They strain against the string and strain against it, and then something happens, and that string gets cut, and they just float away. And maybe you never see the balloon again . . . Or maybe three or four years from now, or three or four days from now, the prevailing winds take the balloon back home . . . But listen, kid, that string gets cut all the time.
When you play Futures and Challengers for three, four years, you're playing in obscurity. You play the game for other reasons. You don't play the game for money or attention. You play the game because you like to play. You play the game because you enjoy the journey.
The reality is it's still in our hands. We have to play four real good games against the Angels. If we take three of four we're still two back and then we'd need help. We'd still be breathing, but we'd need help. We'll shoot all our bullets to try and win that game (Monday) and worry about the next day when we get there.
I don't seem to require a lot of sleep. I just - if I get four, five good hours, I'm fine. But sleeping is sort of dull. There's a lot of other good stuff that you can do without just lying down and closing your eyes.
Against Novak and Rafa, you have balls to hit, but they are so physically really tough. And Roger, he just takes position in the court. He tries to go forward all the time, go for the winners. Then you just don't play tennis against him.
I write two hours in the morning and two hours before bed no matter. No matter what. I also write during the day if I have to get something down, but the four hours a day is the one thing in my life I don't fool with.
The right kind of practice is not a matter of hours. Practice should represent the utmost concentration of brain. It is better to play with concentration for two hours than to practice eight without. I should say that four hours would be a good maximum practice time-I never ask more of my pupils-and that during each minute of the time the brain be as active as the fingers.
If you are physically ready to play, it's a matter of confidence. Your confidence goes down when you lose games, when shots are not going in.
Four hours of makeup, and then an hour to take it off. It's tiring. I go in, I get picked up at two-thirty in the morning, I get there at three. I wait four hours, go through it, ready to work at seven, work all day long for twelve hours, and get it taken off for an hours, go home and go to sleep, and do the same thing again.
Playing with Aaron Rodgers, every time I went into a game you always felt like no matter what happens, he was going to bail you out somehow. He was that kind of guy. He was one of the three or four guys you have in the league right now that no matter where you are or what’s going on in the game, you have a chance with him.
When you play against good people, that's when you focus your concentration. Your sense of urgency to be disciplined in your execution all become more critical. Sometimes you get away with doing things not quite right against lesser competition, but when you play against real good people that's when it shows up.
I just freestyle. I don't actually write the words on paper. It's just whatever comes into my mind. I'll record three or four lines at a time, get a good take, and do three or four more. It may be whatever comes into my mind. But I care about my craft a lot more than a lot of other people.
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