A Quote by Juan Pablo Di Pace

I got the call to play Tony Manero in 'Saturday Night Fever' in Madrid, a role I'd always wanted, as it's such a well-constructed show, and my background is in musical theatre. I'd been travelling back and forth between London and Spain for auditions and had been borrowing money from friends to do it.
I've always loved musical theatre. I've always been a big kind of closeted musical theatre nerd. I really have always dreamed about being able to do musical theatre.
My mother has always kept the entire family together - my dad, due to his business, has always been travelling, and hence, she at times had to play the role of a father and a mother as well.
I went to theatre school for four years and just wanted to do theatre. I had no ambition to be on TV or to be on camera. I just wanted to go to New York or London and be on stage... I did a lot of theatre in Montreal, got involved in TV in Toronto and then moved to L.A. I hope that film and TV will take me back to theatre.
I call you once...you never dialed back. Twice...you never dialed back. Saturday morning, live, I'm on Soul Train, talkin' to Don Cornelius. Saturday night, my phone rings... Saturday night, I won't answer. Saturday night, my phone rings again... Saturday night, I don't answer.
When I was younger, I had some close friends who always loved European football, and Real Madrid at that time were the dominant force. I remember family holidays when we used to go to Spain, and we'd bring back replica shirts of Real Madrid and pretend to be the players when we played in the park.
Spain have got a big influence from Real Madrid and Barcelona, and when you watch Spain play, it's almost like watching Barcelona or Real Madrid at times.
There's actually a time when I got cast in something and it was announced that someone else was cast. I hadn't been told yet if I had the role and I had a breakdown because I really wanted it and it was announced on this website that this other girl had gotten it. I was so sad and called my agents and said, "You guys didn't tell me this other person got the role!" They were like, "No, they haven't decided yet." Then two hours later I got the call that said I had the role.
I used to go a lot to F1 when Real Madrid didn't play at the weekends. It was a lot of fun and I always wanted Real Madrid to play on a Saturday so I could watch F1 on Sunday!
I hope it's always going to be a mix between theatre, film and radio. I've been very lucky living in London that you can do all that - in New York and L.A., there's more of a structure for film in L.A. and theatre in New York. In London, our industry is smaller, but it produces brilliant work all in one place.
I had no acting background in my family and no experience of theatre. I hadn't even been in a school play.
I always wanted to play Marius in 'Les Miserables,' I actually got offered the role but I had to commit to do it for six months, and as that meant I wouldn't have been able to tour with McFly I turned it down.
I had just left 'Saturday Night Live' when I came to 'The Daily Show,' and it just felt like Jon was on my side. I'll always be grateful to him for that. I just got the impression he wanted me to succeed, and then I wanted to succeed for him. I think that's good leadership.
But I would lie on the floor and analyze everything. I'd listen to all the strings and the background vocals on the Saturday Night Fever soundtrack and try to pick out the different instruments.
I had a holding deal with ABC to find me a show, and I was very clear about the kind of show I wanted to do, because Indian people have always been seen as - well, we've been put in a box, about who we should be like.
I wanted to be a musical theatre actress - I wanted to play Sally Bowles, forever and ever always.
There have been, like, three auditions in my life where I feel like I'm in a 'Saturday Night Live' skit.
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