A Quote by Juan Pablo Di Pace

I think everything's fair in art and how you perceive a character. — © Juan Pablo Di Pace
I think everything's fair in art and how you perceive a character.
What I perceive in science fiction is that it's more about how everything looks than what's going on, which I think is just difficult if you're an action character. I think they are about character, not about what it looks like.
Your success will have everything to do with how you perceive yourself, because how you perceive yourself is how others will perceive you, too.
In a time where the world is becoming personalized, when the mobile phone, the burger, everything has its own personal identity, how should we perceive ourselves and how should we perceive others?
If the Frieze Art Fair catches on, I imagine at least two great things happening. First, we will once again have a huge art fair in town that isn't too annoying to go to. More importantly, Frieze may finally show New Yorkers that we can cross our own waters for visual culture. That would change everything.
In tension you cannot perceive; in laxity you cannot perceive. Only if you are intense and relaxed, you perceive everything just the way it is.
Personal credibility has everything to do with how others perceive us and how we perceive ourselves. Sandy Allgeier’s book teaches the all-important truth that it doesn’t matter how much money, status, or power you have if nobody believes in you. Every parent should read The Personal Credibility Factor and instill its lessons in their kids.Achieving a full understanding of these principles is the first step in becoming a truly great human being.
I think the art fair is very much a form of urbanism. I think something really happens to the cities when such a fair happens. The city becomes an exhibition; it's amazing.
When the mind is calm, how quickly, how smoothly, how beautifully you will perceive everything.
The lower classes of men, though they do not think it worthwhile to record what they perceive, nevertheless perceive everything that is worth noting; the difference between them and a man of learning often consists in nothing more than the latter's facility for expression.
What you wear can be such an indicator of so many things. You know, how you feel, how you want others to perceive you. So, that is an absolutely essential part of building a character.
My work sanitizes it (emotion) but it is also symbolic of commercial art sanitizing human feelings. I think it can be read that way.... People mistake the character of line for the character of art. But it's really the position of line that's important, or the position of anything, any contrast, not the character of it.
Focus on how the end-user customers perceive the impact of your innovation - rather than on how you, the innovators, perceive it.
For in the immediate world, everything is to be discerned, for him who can discern it, and central and simply, without either dissection into science, or digestion into art, but with the whole of consciousness, seeking to perceive it as it stands: so that the aspect of a street in sunlight can roar in the heart of itself as a symphony, perhaps as no symphony can: and all of consciousness is shifted from the imagined, the revisive, to the effort to perceive simply the cruel radiation of what is.
I like art with a sense of humor. I don't have a huge art education to understand everything. I don't think that means that art has to be watered down to the lowest common denominator, though. I don't think you have to go to college to be able appreciate great art, but I like art that doesn't take itself too seriously.
Every film has a political side. It's something that you cannot ignore. Politics is a part of everything, it's how we speak, how we perceive one another, how we hold this interview: Everything is politics. But it's a very different thing to just stuff your film with political messages.
I think furniture is art. I don't think art is just for your walls - I think everything that someone has made is a piece of art.
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