A Quote by Juan Pablo Escobar
[My father] would be proud, he would hug me and he would be sitting front-row at all the events where I talk to the youth about not repeating [Pablo Escobar's] story because I am a consequence of what he did and I have not changed my stance on violence since we talked about it.
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In a way, my father [Pablo Escobar] reached a certain degree of sincerity that I became to know and I would even say appreciate because I would have rather had my father treat me like this rather than as an idiot that would never have any idea about what was happening around us.
I would argue with my father [Pablo Escobar] about his violent attitude and I would tell him to stop his violent ways and to think about peace as an alternative, especially given the many problems he was having. However, he would reply almost immediately by telling me "you are forgetting that the first bomb that exploded in Colombia was an attempt against you, your sister, and your mother - I did not invent narcoterrorism, narcoterrorism was first used against my family.
For every stone that [Pablo Escobar] threw, he would get many thrown back at him and us, his family, because we were the most vulnerable. In these types of extreme situations, we learned about the consequences of violence and that is why we did not go down the same path.
I would go to the office to visit my father [Pablo Escobar] and regardless of who he was meeting, he would drop everything to receive me in his office. In the series, the priorities that my father demonstrates are completely inverted and untrue.
I argued constantly with my father [Pablo Escobar] because I never liked all the violence that he created.
When my father would come home from his work at the Senate and talk about the things he could talk about - because a lot of his work was top secret - he would always tell me these stories and laugh. As deadly serious as his work was, he would laugh at the absurdity of it all.
If you had a front row seat at the Renaissance, you would have seen Machiavelli come by plotting, and you would have seen murders in the streets, you would have seen violence, you have seen people burning books and it would have looked like the world was a horrible place, but that's where all these incredible stuff we're still living with comes out of.
We worked on The Perfect Storm, and I'll never forget, Wolfgang Petersen would talk about a moment. Like a non-speaking moment, where we'd all be sitting around eating dinner, and it would probably last maybe four seconds on screen. But he would sit there and talk about it for about 10 minutes. He knew what piece of the puzzle that scene would be, and if it were six seconds, it would be too long. If it were three seconds, it wouldn't be enough. I'm always turned on with people's enthusiasm like that.
When I was a little boy, I thought when I grew up I would talk Yiddish. I thought little kids talked English, but when they became adults, they would talk Yiddish like the adults did. There would be no reason to talk English anymore, because we would have made it.
I can't imagine ever not doing [acting]. I would feel like I would have lost a limb. But I am older now, and sometimes I wonder who I would have been and what about me would have changed had I not had these experiences as a young person
It's the messiness of life that ultimately leads you to the most interesting things. Everyone asks what you would do over, and I don't know because then you have this story to tell, and if you did everything over and made it perfect, what would you talk about?
My father was an entrepreneur - a sign maker, and he had about 20 employees - and often he'd take me to business meetings, and I would listen to him talk with his workers and customers. We would also talk a lot about business over dinner.
I wanted to talk about certain things in a way that I hadn't seen them talked about. There is vast literature about caring for people romantically, about caring for children, but there's not a lot about caring for older people, eldercare. I was searching for a book that would speak to me, that wouldn't be sociological, that would offer some insight, some solace.
I would be in class, and we'd talk about influencers and brand deals, and my face would pop up on the screen and they'd start talking about me! They had no idea that I was sitting in the class. I never wanted anyone to know.
Writing two stories [in the Thorn and the Blossom] about the same set of events that were complete stories in themselves, but also added up to a larger story. As I was writing them, I kept going back and forth, because something would happen in one story that would have to be reflected in the other story. And yet the same event would also have to be perceived in different ways by Brendan and Evelyn, because they are different people with their own interpretations.
They would send me notes on what's going on, and we would pitch in and talk about what we wanted to talk about on the show. I just really did my homework. It was more like a real job for me. Doing this talk show was like, "Wow, this is what they do?!" I can't even imagine doing it every day.
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