A Quote by Juan Pablo Montoya

I really like the really high banked tracks. — © Juan Pablo Montoya
I really like the really high banked tracks.
The banked oval tracks are obsolete tracks for Indy cars.
I really wished I'd learned Spanish. I took it all in high school and was planning on trying to be fluent in it. I would get Selena tracks and sing with them and stuff like that.
I like my stuff 'cause I only ever end up with tracks that I really, really like. It always appeals to me.
When I made '1983,' there were a bunch of tracks that were in the early drafts that didn't make it because they just sounded like tracks for rappers, and that's not really the sound I look for when I produce my own albums.
You are a 64-track recording - the tracks are always there, they're always with you. Sometimes the harsh tracks are cranked up and the rest are rolled down to zero. Other times the sweet tracks are high and the darkness is low. But it's all you.
I don't really follow genres. I have a bunch of really poppy tracks and then another super-low-fi, tape-recorded sound. It's actually really random.
I really thought the process and what I'm used to doing on film would be different. I thought that because I wouldn't have the same amount of time, I wouldn't do all of the tracks that I like to do or the lighting that it takes. And then, I got there and realized that I don't know any other way. I just do all that stuff really, really fast and under a lot of stress.
I like rock and roll t-shirts, tight jeans, and sneakers or boots. Really just laid back, sort of rock and roll. I'm a sneaker person. I don't really like to wear high heels. I'm always really paranoid when I'm on stage playing guitar that I'm going to trip over one of the cords when I'm prancing around so I have on wedges or shoes that are not too high.
I wasn't really geeky. In terms of the high school hierarchy, I was very much in the middle ground. You have the really popular guys, you have the nerdy guys, and then you have the people who really don't care - and that was me. I wasn't really picked on or anything like that.
I'm really anti-option, so computers have been my nightmare with recording. I don't want endless tracks; I want less tracks. I want decisions to be made.
I hate click tracks. A lot of people I know like to use click tracks. Like my son is perfect on the click tracks. It makes me to edgy.
The discovery I made was that, really, in America, if you went to high school in our country, it doesn't really matter where you went to high school. In a funny way, all high schools are the same.
I don't really leave my house too much, 'cause I don't like... it's funny, I don't really like to be high and famous at the same time.
I remember reading Dave Barry for the first time and being like oh my God I can't believe you can do this. Watching Mel Brooks and Monty Python and SNL and all that stuff really informed me as a writer and then at high school I started a satire magazine and the college like The Lampoon really introduced me to like you know a lot of very like-minded people who really wanted to like comedy was the center of their lives.
I like getting my own thoughts out right now, I have fans to solidify, so that's why I don't do tracks with too many younger rappers or newer artists. People may consider me to be a music snob or whatever, but I like to preserve what's mine and I also don't just do tracks to do tracks, I make every song with a purpose.
Driving a stock car does not require much handling ability, at least not as compared to Grand Prix racing, because the tracks are simple banked ovals and there is almost no shifting of gears. So, qualifying becomes a test of raw nerve - of how fast a man is willing to take a curve.
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